"Better Ways To Oblivion" by ONE ARC DEGREE had its release date on July 31, 2025. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. This song is part of Visions 04 by ONE ARC DEGREE. The song's track number on the album is #1 out of 2 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Better Ways To Oblivion is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Better Ways To Oblivion by ONE ARC DEGREE has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Better Ways To Oblivion being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Informer | M-Seven | D♭ Major | 3 | 3B | 160 BPM | ||
| Material | Sensitizer | B Minor | 4 | 10A | 105 BPM | ||
| Blurring The Edges | Data Rebel | G Major | 5 | 9B | 137 BPM | ||
| Eadgyth | Sync24 | G Major | 3 | 9B | 80 BPM | ||
| Abismo 2.0 | MIKTEK | D♭ Major | 4 | 3B | 120 BPM | ||
| Human Theory | Sensitizer | F Minor | 5 | 4A | 80 BPM | ||
| Hidden into the Future | ONE ARC DEGREE | F Major | 9 | 7B | 98 BPM | ||
| Audio Deepest Night | Cell | C Minor | 4 | 5A | 91 BPM | ||
| To a Distant World, Pt. 3 | State Azure | G Minor | 8 | 6A | 102 BPM | ||
| Outermost Structure | Martin Nonstatic | D♭ Minor | 4 | 12A | 95 BPM | ||
| Fade Away | H.U.V.A. Network | C Major | 3 | 8B | 123 BPM | ||
| Dive | ONE ARC DEGREE | E Minor | 5 | 9A | 119 BPM | ||
| Beams | Ascendant | F♯ Major | 5 | 2B | 192 BPM | ||
| Accede | Carbon Based Lifeforms | C Major | 5 | 8B | 95 BPM | ||
| While The Light Came | Sundial Aeon | G Major | 7 | 9B | 60 BPM | ||
| Dope to the Sound | Side Liner, Maluns | B Minor | 7 | 10A | 160 BPM | ||
| Illusions Of Areas - Original Mix | Sundial Aeon | F Minor | 5 | 4A | 110 BPM | ||
| The Age of Cymatics | S1gns Of L1fe | D Major | 8 | 10B | 100 BPM | ||
| Methane Tears | ONE ARC DEGREE | B Minor | 4 | 10A | 128 BPM | ||
| Matter | Ascendant | D Minor | 5 | 7A | 168 BPM | ||
| Neural Frequencies | Lars Leonhard | E Minor | 4 | 9A | 176 BPM | ||
| Granite | Martin Nonstatic | D Minor | 4 | 7A | 98 BPM | ||
| Creation | Krusseldorf | A♭ Major | 4 | 4B | 127 BPM | ||
| Embryon | Zero Cult | B Minor | 6 | 10A | 180 BPM | ||
| Calling | Cell | F Major | 2 | 7B | 198 BPM |