Honeybrowne's 'Julie at the Bar' had a release date set for 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Finding Shade by Honeybrowne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Julie at the Bar's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Julie at the Bar by Honeybrowne is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Miss Home | Honeybrowne | F Major | 9 | 7B | 117 BPM | ||
| Break Down Here | Julie Roberts | D♭ Major | 5 | 3B | 126 BPM | ||
| Sister Lost Soul | Micky & The Motorcars | A Major | 9 | 11B | 123 BPM | ||
| Feet Don't Touch the Ground | Stoney LaRue | G Major | 4 | 9B | 64 BPM | ||
| Love Wanted | Honeybrowne | G Major | 6 | 9B | 78 BPM | ||
| Deeper Shade of Blue | Honeybrowne | E♭ Minor | 6 | 2A | 99 BPM | ||
| Terrible Lies | Six Market Blvd. | A Minor | 7 | 8A | 82 BPM | ||
| She Already Knows | Erick Willis | G Major | 1 | 9B | 95 BPM | ||
| Tonight We Ride | Micky & The Motorcars | A Major | 7 | 11B | 121 BPM | ||
| Oklahoma Girl | Eli Young Band | E Minor | 7 | 9A | 176 BPM | ||
| Between Here And The Front Door | Brandon Rhyder | E Major | 8 | 12B | 124 BPM | ||
| Smith County Line | JB and the Moonshine Band | D Major | 8 | 10B | 158 BPM | ||
| Back Roads | Brandon Rhyder | G Major | 6 | 9B | 138 BPM | ||
| The Whole World's Gone Crazy | Brandon Jenkins | G Major | 7 | 9B | 117 BPM | ||
| Angry All The Time | Bruce Robison | F♯ Major | 4 | 2B | 122 BPM | ||
| December Rain | 80 Proof Band, LARRY DOYLE II WHITEHEAD | G Major | 8 | 9B | 170 BPM | ||
| I Can't Take My Eyes off You | Jon Wolfe | C Major | 5 | 8B | 99 BPM | ||
| Billy Covington | The Great Divide | G Major | 6 | 9B | 107 BPM | ||
| The Future Ain't What It Used to Be | Bleu Edmondson | F Major | 4 | 7B | 145 BPM | ||
| Off The Record | Aaron Watson | F♯ Minor | 4 | 11A | 161 BPM | ||
| Rebel Soul | Scott Copeland | F Minor | 6 | 4A | 88 BPM | ||
| Nobody's Looking | Ward Davis | E Major | 4 | 12B | 97 BPM | ||
| Bridges | Honeybrowne | D Major | 7 | 10B | 120 BPM | ||
| Finger On the Trigger | Bleu Edmondson | C Major | 7 | 8B | 164 BPM | ||
| Three Days | Pat Green | E Major | 7 | 12B | 104 BPM |