"Sacred Pestilence (Version)" by The Sapir-Whorf Hypothesis had its release date on 1995. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 7 out of 11 in Effluvium I by The Sapir-Whorf Hypothesis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sacred Pestilence (Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Pestilence (Version) by The Sapir-Whorf Hypothesis is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fatum Ultimum | Sincerus | D♭ Minor | 9 | 12A | 182 BPM | ||
| Cor destructum | 梶浦 由記 | D♭ Major | 3 | 3B | 85 BPM | ||
| Mind Rape | The Sapir-Whorf Hypothesis | G Major | 2 | 9B | 75 BPM | ||
| Dream Sequence | HOMESHAKE | C Minor | 3 | 5A | 91 BPM | ||
| Balkan Burns | Wojciech Kilar | A Major | 7 | 11B | 84 BPM | ||
| Overcast | Progfox | B Major | 0 | 1B | 119 BPM | ||
| Shiizakana | Brian Reitzell | B♭ Major | 2 | 6B | 92 BPM | ||
| Lift | DeYarmond Edison | D Major | 0 | 10B | 70 BPM | ||
| The Farm | Christian Salyer | G Major | 8 | 9B | 111 BPM | ||
| Fantasy in Speed | Otto Luening | E Minor | 1 | 9A | 106 BPM | ||
| Manuel Antonio Yance Yagual | Redkattseven | D♭ Major | 0 | 3B | 67 BPM | ||
| Ende | Aghast | A♭ Major | 0 | 4B | 63 BPM | ||
| Song to the Sea | Inca Ore | B♭ Minor | 4 | 3A | 96 BPM | ||
| Etude Violette | Pierre Schaeffer | G Major | 4 | 9B | 79 BPM | ||
| Nowhere Family | Jónsi, Alex Somers | F♯ Major | 0 | 2B | 38 BPM | ||
| Infiltrator | Jesper Kyd | A♭ Minor | 6 | 1A | 130 BPM | ||
| Elle Corridor | The Dale Cooper Quartet | A Major | 9 | 11B | 96 BPM | ||
| Six Hours Left - Outro | Paleface Swiss | D♭ Major | 5 | 3B | 150 BPM | ||
| How Come We Go Home | Mark Prechtwahn | B♭ Minor | 0 | 3A | 74 BPM | ||
| Weathervaning | Old Saw | G Major | 2 | 9B | 87 BPM | ||
| Disorder | Gesaffelstein | B Major | 5 | 1B | 130 BPM | ||
| Demons Of Rock & Roll | The Sapir-Whorf Hypothesis | D♭ Minor | 7 | 12A | 81 BPM | ||
| Side of Buddha Lounge | Buddhist Meditation Music Set | F Minor | 5 | 4A | 178 BPM | ||
| Del Aire al Aire | Los Jaivas | B Minor | 3 | 10A | 137 BPM | ||
| Fotostat | 1900 | C Major | 9 | 8B | 133 BPM |