"Despedida" by David Buckley had its release date on February 5, 2026. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Lincoln Lawyer (Soundtrack from the Netflix Series)". In this album, this song's track order is #25. Despedida is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Despedida by David Buckley having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey To Saturn | Anže Rozman, Andrew Christie | B Minor | 3 | 10A | 118 BPM | ||
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| Meet Ethel Cripps | David Buckley | B♭ Minor | 0 | 3A | 142 BPM | ||
| Trouble on the Horizon | Ilan Eshkeri | B♭ Major | 5 | 6B | 94 BPM | ||
| Il richiamo delle sirene | Non Binary | D Minor | 0 | 7A | 100 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| President's Speech | Harald Kloser | A Minor | 1 | 8A | 133 BPM | ||
| Counter-insurgency | Scott Buckley | C Minor | 3 | 5A | 123 BPM | ||
| Last Humans | Paul Saunderson | C Major | 3 | 8B | 88 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Samira | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Silence On The Heath | Dan Romer | F Major | 1 | 7B | 78 BPM | ||
| Oriel - from "Dungeons & Dragons: The Queen's Cradle" | Maxime Hervé | D Major | 4 | 10B | 115 BPM | ||
| This Is Where You Leave Me | Max Aruj, Alfie Godfrey | A Minor | 0 | 8A | 139 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Lauterbrunnen | Roque Baños | C Minor | 3 | 5A | 123 BPM | ||
| What Lies Ahead | Jason Solowsky | A Minor | 1 | 8A | 82 BPM | ||
| Amos and Felicity - from "The Outer Worlds: The Company We Keep" | Rob Cairns | D Major | 4 | 10B | 115 BPM | ||
| Norah's Choice | Marco Beltrami, Brandon Roberts | A Minor | 2 | 8A | 105 BPM | ||
| The Night Has Ears | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Lonely Nights | Farid Puber | B Major | 2 | 1B | 85 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Deep Walk | Farid Puber | B Minor | 5 | 10A | 125 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| On The Inside | David Buckley | C Minor | 3 | 5A | 123 BPM |