Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo)
Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Mark Richardson, Terry Jenkins, Alan Opie
Verdi: Rigoletto
2:19 January 1, 2000
BPM
84
Key
C Major
Camelot
8B

Embed

Share Link

Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo) by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Mark Richardson, Terry Jenkins, Alan Opie Song Details

"Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo)" by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Mark Richardson, Terry Jenkins, Alan Opie had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field, Arthur Davies, John Tomlinson, Jean Rigby, Norman Bailey. The song's track number on the album is #15 out of 38 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo) by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Mark Richardson, Terry Jenkins, Alan Opie has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo) being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-19.206 dB
Acousticness
94%
Danceability
18%
Energy
15%
Instrumentalness
0%
Liveness
7%
Loudness
68%
Speechiness
5%
Valence
9%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmen, WD 31 / Act 1: Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise)Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di TorinoG Major19B117 BPM
Recordare by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic OrchestraRecordareGiuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic OrchestraF Major17B76 BPM
La Gioconda, Act IV: Suicido! … by Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino VottoLa Gioconda, Act IV: Suicido! …Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino VottoD Major110B86 BPM
Carmina Burana: XXV. O fortuna by Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumCarmina Burana: XXV. O fortunaCarl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen JochumB♭ Major36B142 BPM
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) by Sergei Prokofiev, Philadelphia Orchestra, Riccardo MutiProkofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt)Sergei Prokofiev, Philadelphia Orchestra, Riccardo MutiA Minor38A108 BPM
La traviata / Act III: La traviata / Act III: "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo"Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos KleiberD♭ Major13B102 BPM
Bizet: Carmen, WD 31, Act 4: Bizet: Carmen, WD 31, Act 4: "Les voici ! Voici le quadrille !" (Chœur)Georges Bizet, Michel Plasson, La Lauzeta, Les Éléments, Orchestre National Du Capitole De ToulouseD♭ Minor212A93 BPM
Orpheus in the Underworld: Cancan by Jacques Offenbach, Semyon Bychkov, Wiener PhilharmonikerOrpheus in the Underworld: CancanJacques Offenbach, Semyon Bychkov, Wiener PhilharmonikerD Major610B152 BPM
Turandot: Tu, che di gel sei cinta by Mirella Freni, Vienna Volksoper Orchestra, Argeo QuadriTurandot: Tu, che di gel sei cintaMirella Freni, Vienna Volksoper Orchestra, Argeo QuadriB Major21B87 BPM
Lohengrin, Act III: Prelude (Concert Ending) by Richard Wagner, Wiener Philharmoniker, Karl BöhmLohengrin, Act III: Prelude (Concert Ending)Richard Wagner, Wiener Philharmoniker, Karl BöhmB♭ Major36B134 BPM
Кармен, Act II: Кармен, Act II: "Votre toast je peux vous le rendre" (Эскамильо, Фраскита, Мерседес, Кармен)Жорж Бизе, Государственный академический камерный оркестр России, Константин Орбелян, Dmitri Hvorostovsky, Марнье Брекенридж, Виктория Смирнова, Анастасия ЧикаеваB♭ Major36B175 BPM
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti"Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble RastattC Minor25A99 BPM
Orfeo ed Euridice: Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? "Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS KammerchorG Major19B71 BPM
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti"Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper BerlinB♭ Major36B76 BPM
Carmen Votre toast, je peux vous le rendre - Instrumental Version by Arthur Fiedler, Boston Pops OrchestraCarmen Votre toast, je peux vous le rendre - Instrumental VersionArthur Fiedler, Boston Pops OrchestraF Major37B113 BPM
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia by Wolfgang Amadeus Mozart, Riccardo Muti, Wiener PhilharmonikerMozart: Don Giovanni, K. 527, Act 1: SinfoniaWolfgang Amadeus Mozart, Riccardo Muti, Wiener PhilharmonikerB♭ Major36B134 BPM
La traviata / Act 2: La traviata / Act 2: "Noi siamo zingarelle"Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James LevineC Minor25A82 BPM
La forza del destino: Overture (Sinfonia) by Giuseppe Verdi, Berliner Philharmoniker, Claudio AbbadoLa forza del destino: Overture (Sinfonia)Giuseppe Verdi, Berliner Philharmoniker, Claudio AbbadoE Minor29A80 BPM
Requiem, K. 626: IIIa. Dies irae by Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von KarajanRequiem, K. 626: IIIa. Dies iraeWolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von KarajanB♭ Major66B152 BPM
La traviata / Act 1: La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera ChorusB♭ Major16B111 BPM
Bellini: Norma, Act 1: Bellini: Norma, Act 1: "Casta diva" (Norma, Coro)Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoF Major27B88 BPM
Turandot, Act III: Nessun dorma! by Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin MehtaTurandot, Act III: Nessun dorma!Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin MehtaD Major310B84 BPM
Rinaldo / Act 2: Lascia ch'io pianga by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 2: Lascia ch'io piangaGeorge Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodE Major112B176 BPM
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen by Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio OrchestraBarcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns ErzählungenJacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio OrchestraD Major210B81 BPM
Mattinata (Orch. Faris) by Ruggero Leoncavallo, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaMattinata (Orch. Faris)Ruggero Leoncavallo, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaE Major312B79 BPM
ISRC
GBLWD0001015
Label
L-M Records/RCA Records