SNK SOUND TEAM's ' "FIRST CONTACT (UFO Interior Passage 2)" was released on its scheduled release date, August 18, 2016. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. FIRST CONTACT (UFO Interior Passage 2)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in SNK SOUND TEAM's "METAL SLUG 3" album is number 22 out of 28. On top of that, Japan appears to be the country where this track was created. Based on our statistics, FIRST CONTACT (UFO Interior Passage 2)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of FIRST CONTACT (UFO Interior Passage 2) by SNK SOUND TEAM to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mute City | Michael Lementi | G Minor | 7 | 6A | 180 BPM | ||
| Air Force Base -USA Stage- | Masahiro Aoki | F Major | 10 | 7B | 140 BPM | ||
| Snow Go Gem | Vicarious Visions Audio | D Major | 10 | 10B | 168 BPM | ||
| X5 - BOSS (Extended) | Yasumasa Kitagawa | A Minor | 7 | 8A | 128 BPM | ||
| Top Gear: Bordeaux | Barry Leitch | C Minor | 8 | 5A | 171 BPM | ||
| Ride on Sea | Takeshi Miura | B♭ Major | 8 | 6B | 146 BPM | ||
| SPIKE ROSERED STAGE | Naoto Tanaka | A Minor | 7 | 8A | 140 BPM | ||
| Brainiac Maniac | Laura Shigihara | F Minor | 6 | 4A | 120 BPM | ||
| Overloaded | Kawakami Ryo | B♭ Minor | 9 | 3A | 157 BPM | ||
| Theme of Abel | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM | ||
| Crocodile Cacophony | Ben Zimmermann | G Minor | 7 | 6A | 116 BPM | ||
| BLIZZARD WOLFANG STAGE | AKEMI KIMURA | G Minor | 9 | 6A | 128 BPM | ||
| Dear Falling Angel (Boss Theme) | SNK SOUND TEAM | A Minor | 9 | 8A | 141 BPM | ||
| Lode Stone | PROJECT ACES, Bandai Namco Game Music | A Minor | 6 | 8A | 151 BPM | ||
| Auckland | Ashley Bennet, Patrick Phelan, Paul Bennet | A Major | 9 | 11B | 150 BPM | ||
| 異形の者達~巨像との戦い~ | SIE Sound Team | F Major | 5 | 7B | 130 BPM | ||
| Keep The groovin' | YUZO KOSHIRO | G Minor | 9 | 6A | 112 BPM | ||
| The Courtyard - 2021 Remaster | Dan Forden | C Major | 5 | 8B | 129 BPM | ||
| Mega Man X / Opening Stage | ROCK-MEN | F Minor | 9 | 4A | 200 BPM | ||
| Decisive Battle~vs Boss | Capcom Sound Team, Value Wave | C Minor | 8 | 5A | 172 BPM | ||
| Spinal (Vintage Score) | Robin Beanland, Team Rare | D♭ Major | 6 | 3B | 80 BPM | ||
| The Demon | Neil Biggin | D Minor | 8 | 7A | 133 BPM | ||
| STAGE SELECT | AKEMI KIMURA | A Minor | 10 | 8A | 134 BPM | ||
| Needs More Fighting | Daniele Zandara | F Minor | 10 | 4A | 152 BPM | ||
| CRESCENT GRIZZLY STAGE | Naoto Tanaka | F Major | 10 | 7B | 140 BPM |