"La Riviera" by Francesco Magini, Lambert Colson, Bernard Foccroulle had its release date on February 28, 2018. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Un Cornetto a Roma". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Belgium. Based on our statistics, La Riviera's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Riviera by Francesco Magini, Lambert Colson, Bernard Foccroulle having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J üsem Gärtli | Trio Sunnematt | E Major | 0 | 12B | 69 BPM | ||
| Cantiones sacrae: No. 1: Herr, wie lang wiltu mein sogar vergessen, SSWV 1 | Samuel Scheidt, Lautten Compagney | G Major | 1 | 9B | 93 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
| Missa pro Quadragesima, MH 551: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Missa Quadragesimalis, MH 552: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Lieber Herr Gott, wecke auf uns | Johann Christoph Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 77 BPM | ||
| Lulla, Lullaby | William Byrd, Ensemble Pro Victoria, Toby Ward | D♭ Minor | 2 | 12A | 75 BPM | ||
| The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
| Madrigals, Book 1 (Il primo libro de madrigali 1587): Baci soavi e cari | Claudio Monteverdi, Consort Of Musicke, Anthony Rooley | F Minor | 0 | 4A | 75 BPM | ||
| Aaria, Sairasten Parantaja (Myrskyn Keskellä) | Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| Lord, I Lift Your Name on High | Gloria Brass | F Minor | 3 | 4A | 86 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
| Messa a 5 Concertata: X. Domine Fili unigenite | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
| Responsories for Good Friday Nocturn 2: II. Tenebrae factae sunt | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 0 | 6A | 172 BPM | ||
| Anders Högstedt: A Night At The Opera III | Anders Högstedt, Axiom Brass, Christian Lindberg | C Minor | 0 | 5A | 70 BPM | ||
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink) | Henry Purcell, Eric Vloeimans, Holland Baroque Society | F♯ Minor | 9 | 11A | 132 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Die mit Tränen säen, JLB 8: I. Die mit Tränen säen | Johann Ludwig Bach, Capella Sollertia, Johanna Soller | F Minor | 1 | 4A | 111 BPM | ||
| Canzon vigesimanona, F 8.54 | Girolamo Frescobaldi, Le Concert Spirituel, Herve Niquet | E Major | 2 | 12B | 125 BPM | ||
| To Be Unknown | Sounds of Servus, Federspiel | D♭ Major | 1 | 3B | 125 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM |