Jochen Rieger's ' "Bach meets Jazz & Techno" was released on its scheduled release date, March 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 16 in Bach Goes Pop by Jochen Rieger. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Bach meets Jazz & Techno is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach meets Jazz & Techno by Jochen Rieger is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wenn Friede mit Gott | Studiochor Evangeliumslieder | D Major | 4 | 10B | 113 BPM | ||
| So Wie Ich Bin | Janzenmusik Studiochor | D Major | 2 | 10B | 70 BPM | ||
| Oh Hier Am Kreuz | so blessed. | B♭ Major | 1 | 6B | 63 BPM | ||
| Dieser Tag Wird Auf Erden Der Letzte Sein | VaDi MusikVerlag | C Major | 3 | 8B | 95 BPM | ||
| Deine Liebe Hört Nie Auf | so blessed. | G Major | 3 | 9B | 125 BPM | ||
| Wo ist solch ein Gott | Voice of God | C Minor | 3 | 5A | 125 BPM | ||
| Ein Wunderbarer Name | Andreas Ewert, Rudolf Janzen, Waldemar Janzen | C Major | 4 | 8B | 100 BPM | ||
| Komm, jetzt ist die Zeit, wir beten an | Jochen Rieger | D Major | 3 | 10B | 105 BPM | ||
| Mich Draengt Das Kreuz | Männerensemble | D♭ Major | 1 | 3B | 124 BPM | ||
| Du allein | Sharona | D Major | 4 | 10B | 76 BPM | ||
| Du bist der Töpfer, wir sind der Ton | Harmony Quartet | C Major | 2 | 8B | 88 BPM | ||
| Du bist da und du trägst uns | Harmony Quartet | C Major | 2 | 8B | 88 BPM | ||
| Jesus heilt | Voice of God | B Major | 3 | 1B | 145 BPM | ||
| Jesus kommt wieder | Wiesbadener Studiochor, Andreas Melzer | E Minor | 8 | 9A | 130 BPM | ||
| Lebensgrund | Elke Reichert | E Minor | 4 | 9A | 80 BPM | ||
| Regentropfen | Sharona | C Minor | 2 | 5A | 122 BPM | ||
| Ich steh mit einem Fuss im Grabe: Sinfonia in F Major | Jochen Rieger | F Major | 5 | 7B | 80 BPM | ||
| Nimmst du mich noch einmal an? | Manfred Siebald | D Major | 3 | 10B | 94 BPM | ||
| Für mich gingst du nach Golgatha | Tools on behalf, Jessica Hipke, Franz Janzen | D♭ Major | 2 | 3B | 140 BPM | ||
| O mein Gott | Violin Heart | G Minor | 6 | 6A | 136 BPM | ||
| Bleibend ist deine Treu | imperfectum | E♭ Major | 3 | 5B | 95 BPM | ||
| Herr, Du Bist Mein Gott | Janzenmusik Studiochor | D Major | 2 | 10B | 120 BPM | ||
| Nie Mehr Zurück | so blessed. | A Minor | 4 | 8A | 132 BPM | ||
| Wunderbar Ist Jesus | Nur-Gnade-Männerchor | G Major | 4 | 9B | 100 BPM | ||
| Ich bete an die Macht der Liebe | Studiochor Evangeliumslieder | B♭ Major | 2 | 6B | 132 BPM |