Rebecca Martin's 'To Be Told' had a release date set for February 28, 2025. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "SHE". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, To Be Told is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With To Be Told by Rebecca Martin having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Don't Stand a Ghost of a Chance with You | Jan Lundgren Trio, Stacey Kent | A♭ Major | 1 | 4B | 82 BPM | ||
| Beauty | Linda Thompson | D Major | 4 | 10B | 79 BPM | ||
| Moonglow, Lamp Low | Eleni Mandell | E Major | 2 | 12B | 71 BPM | ||
| Up, Up, Up, Up, Up, Up | Julia Hülsmann Octet | G Minor | 1 | 6A | 72 BPM | ||
| Mulholland Drive | The Velvet Cry Artificial Experience | G Minor | 1 | 6A | 72 BPM | ||
| TicToc | Julia Hülsmann Octet | D♭ Major | 3 | 3B | 104 BPM | ||
| Distance | Norma Winstone, Klaus Gesing, Glauco Venier | B♭ Minor | 0 | 3A | 79 BPM | ||
| Gaivota | Brussels Jazz Orchestra, Naima Joris | A Minor | 1 | 8A | 89 BPM | ||
| In My Place | An Espil, Nacho Amil | E♭ Major | 1 | 5B | 161 BPM | ||
| Bird in a Burning World | Denise Glover, Jim Sande | D♭ Minor | 0 | 12A | 168 BPM | ||
| Dark Shadows | Andy Bey | D♭ Major | 2 | 3B | 84 BPM | ||
| I Cover the Waterfront | Chris Thile, Brad Mehldau | G Major | 1 | 9B | 80 BPM | ||
| I Wish We Would've Been Friends (Live) | Rebecca Martin, Jesse Harris, Kurt Rosenwinkel, Ben Street, Bill Dobrow | A Minor | 2 | 8A | 119 BPM | ||
| What Feels Like Home | Rebecca Martin | E Major | 2 | 12B | 135 BPM | ||
| Stormbringer | The John Martyn Project | F Minor | 5 | 4A | 109 BPM | ||
| Time to Move On | Anette Askvik | C Major | 1 | 8B | 104 BPM | ||
| Gravity of You | Lora Kraviz | C Minor | 3 | 5A | 96 BPM | ||
| You don't have to do anything | Veronika Rud | G Minor | 1 | 6A | 72 BPM | ||
| The End | Ale Nuñez | A Major | 0 | 11B | 130 BPM | ||
| What Are You Doing the Rest of Your Life | Juan Medina, Lea Lu | G Minor | 1 | 6A | 72 BPM | ||
| On a Rooftop | Rebecca Martin | G Minor | 3 | 6A | 114 BPM | ||
| If this is the ending | Kristin Asbjørnsen | F Major | 1 | 7B | 128 BPM | ||
| Broken Hotel Room | Liv Monaghan | F Minor | 2 | 4A | 115 BPM | ||
| Go Wild | Joan Shelley | F Major | 2 | 7B | 86 BPM | ||
| Nobreza | Macha Gharibian | A Minor | 1 | 8A | 116 BPM |