Matthew Rees's ' "Brick City Blues" was released on its scheduled release date, November 7, 2025. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Brick City Blues's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Urban Legends". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Brick City Blues is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Brick City Blues by Matthew Rees having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Multi-Player Beta (Original Score) | Jonathan Beales, Matthew Rees | G Major | 0 | 9B | 64 BPM | ||
| Until I See You Again | Matthew Rees, Thermal Music | B Minor | 0 | 10A | 183 BPM | ||
| First Light | Ole Hansen | B Minor | 4 | 10A | 131 BPM | ||
| Arrival | Maria Ferreira | D Major | 2 | 10B | 102 BPM | ||
| Sixteen Years | Vernall | E Major | 3 | 12B | 45 BPM | ||
| Sensaciones Ineditas | Beaudrix | A♭ Major | 0 | 4B | 83 BPM | ||
| Sunrise | Matthias Mothroni, Matthiando | D♭ Major | 2 | 3B | 66 BPM | ||
| Dreaming of Mud & Sand | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | G Major | 3 | 9B | 74 BPM | ||
| Isabel | Olfy | A Major | 0 | 11B | 70 BPM | ||
| Moment of Despair | Matthew Rees, Thermal Music | A Minor | 1 | 8A | 72 BPM | ||
| Love Frequency 528 | Solfeggio Frequencies | C Minor | 1 | 5A | 72 BPM | ||
| City Heartbeat | Michele Braga | E Major | 3 | 12B | 45 BPM | ||
| Fractures | Cris Velasco | E Major | 3 | 12B | 45 BPM | ||
| Don Leave | Ceyran Huseynova, Feirn Mont | D Major | 1 | 10B | 180 BPM | ||
| Only Real When Shared | Izzi Dunn | B Minor | 0 | 10A | 88 BPM | ||
| Nobody Knows Nothing (Original Motion Picture Soundtrack) | Jonathan Beales, Matthew Rees | C Major | 1 | 8B | 75 BPM | ||
| Niveus | Christoffer Moe Ditlevsen | E Major | 3 | 12B | 45 BPM | ||
| Komorebi | Fabrizio Brugnera | C Major | 2 | 8B | 76 BPM | ||
| Aurora Calling | Rainchaser | E Major | 3 | 12B | 45 BPM | ||
| Dangerous Obsession | Matthew Rees | D Minor | 2 | 7A | 120 BPM | ||
| Evening and Wonders | Ernesto Vallini, Neon Lilith, Massimo Lisi, Gabrielle La Ville | D Minor | 1 | 7A | 120 BPM | ||
| Mystery | Michelle | E Major | 3 | 12B | 45 BPM | ||
| peace signal | Nocturne Sounds | B♭ Major | 0 | 6B | 74 BPM | ||
| Mejoras Repentinas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | A Minor | 0 | 8A | 100 BPM | ||
| Inventions of Ways | Ernesto Vallini, Neon Lilith, Massimo Lisi, Gabrielle La Ville | F Major | 1 | 7B | 80 BPM |