Acceptance's ' "This is Only a Test (live)" was released on its scheduled release date, November 26, 2003. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 7 in Black Lines to Battlefields by Acceptance. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. This is Only a Test (live) is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of This is Only a Test (live) by Acceptance is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Resolution | Jack's Mannequin | D Major | 9 | 10B | 188 BPM | ||
| Heads Up | Underbrook | F♯ Major | 9 | 2B | 95 BPM | ||
| Blame Me First | Brian Staples | D♭ Minor | 9 | 12A | 130 BPM | ||
| Paws | Badflower | A♭ Major | 9 | 4B | 160 BPM | ||
| Autopilot | Silverstein, Cassadee Pope | G Minor | 7 | 6A | 102 BPM | ||
| Anthem | Straylight Run | B Major | 4 | 1B | 75 BPM | ||
| The Coldest Heart | The Classic Crime | C Minor | 8 | 5A | 200 BPM | ||
| What Are You Waiting For? | My Favorite Highway | C Major | 9 | 8B | 125 BPM | ||
| Granted | The Starting Line | E Major | 9 | 12B | 96 BPM | ||
| Some Kind Of Home | Thriving Ivory | B♭ Major | 8 | 6B | 121 BPM | ||
| Tonight, I Love You | Latency | F♯ Major | 8 | 2B | 150 BPM | ||
| Slightly Broken | The Goo Goo Dolls | B Major | 8 | 1B | 84 BPM | ||
| Do You Believe Me? | The Juliana Theory | B Minor | 9 | 10A | 143 BPM | ||
| Staplegunned | The Spill Canvas | D♭ Major | 8 | 3B | 140 BPM | ||
| Two Wrongs No Right | Sunsleep | E Major | 6 | 12B | 124 BPM | ||
| Caught In The Middle | Wavorly | E Major | 8 | 12B | 154 BPM | ||
| The Better Way | Brighten | A♭ Major | 7 | 4B | 130 BPM | ||
| Slipping Through (No Kings) | The Red Jumpsuit Apparatus | F Major | 9 | 7B | 108 BPM | ||
| Dance Inside | The All-American Rejects | E Major | 9 | 12B | 122 BPM | ||
| The Lucky One | Vertical Horizon | D♭ Major | 8 | 3B | 122 BPM | ||
| Embers and Envelopes | Mae | G Major | 8 | 9B | 121 BPM | ||
| Cherry Coke | Emarosa | D Major | 9 | 10B | 115 BPM | ||
| The Everglow | Mae | D♭ Major | 9 | 3B | 133 BPM | ||
| how to exit a room | The Maine | F Major | 4 | 7B | 166 BPM | ||
| Track 9 | Acceptance, Charlotte Sands | E♭ Major | 8 | 5B | 152 BPM |