Universal Production Music's ' "Burns The Midnight Sky" was released on its scheduled release date, August 1, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Rock 1". In this album, this song's track order is #10. Based on our statistics, Burns The Midnight Sky's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Burns The Midnight Sky by Universal Production Music having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Accountant | Mark Isham | E Minor | 2 | 9A | 100 BPM | ||
| Driving to Cecina | Fabien Tell | E♭ Minor | 1 | 2A | 114 BPM | ||
| Lupin | Mathieu Lamboley | C Minor | 3 | 5A | 142 BPM | ||
| Beyond The Limit | Vance Westlake, Michael James Burns | G Minor | 7 | 6A | 180 BPM | ||
| See How They Run | Daniel Pemberton | B♭ Major | 8 | 6B | 140 BPM | ||
| Horse Power Brass | Bonkers Beat Club | F Minor | 6 | 4A | 118 BPM | ||
| Gentleman | Mathieu Lamboley | F Minor | 3 | 4A | 105 BPM | ||
| Power | Tunetank | G Major | 8 | 9B | 80 BPM | ||
| Perfect Horizon | Universal Production Music | G Major | 2 | 9B | 126 BPM | ||
| New Car | Rex Banner | D♭ Minor | 5 | 12A | 117 BPM | ||
| Aminah | Marcelo Zarvos | A♭ Minor | 1 | 1A | 132 BPM | ||
| Discovery | Roman P | D Minor | 5 | 7A | 107 BPM | ||
| Another Round | Ziv Moran, Oren Tsor | A Minor | 7 | 8A | 90 BPM | ||
| The Friendly Ghost | Arthur Benson | A Minor | 4 | 8A | 80 BPM | ||
| There Is No Sequel | Philip Ayers | G Minor | 4 | 6A | 120 BPM | ||
| Le Voyageur | Mathieu Lamboley | A Minor | 1 | 8A | 149 BPM | ||
| Raw Vibes | FLYIN | G Major | 6 | 9B | 118 BPM | ||
| Baila Balearic | Larry Poppinz | G Major | 9 | 9B | 92 BPM | ||
| Saving the World | Aaron Kenny | G Major | 1 | 9B | 92 BPM | ||
| You Don't Even Know What You Do | Jordan Gagne | C Minor | 5 | 5A | 90 BPM | ||
| Lioness Main Titles | Andrew Lockington | D Major | 4 | 10B | 96 BPM | ||
| Soaring Horizon | Philip Guyler | E Major | 3 | 12B | 103 BPM | ||
| Yesterday Has Yet To Come | Clemens Ruh | G Major | 5 | 9B | 120 BPM | ||
| The Equalizer | Harry Gregson-Williams | G Major | 4 | 9B | 139 BPM | ||
| Like A Ghost | The Flight | G Major | 3 | 9B | 87 BPM |