"Cycle 8" by Matt Dunkley had its release date on January 19, 2018. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 10 in Cycles 7-16 by Matt Dunkley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cycle 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cycle 8 by Matt Dunkley is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horses | A.R. Rahman, Matt Dunkley, Czech Film Orchestra | A Major | 3 | 11B | 110 BPM | ||
| The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM | ||
| Elegie | Secret Garden | C Minor | 2 | 5A | 120 BPM | ||
| People Disappear All the Time | Bear McCreary | G Major | 2 | 9B | 72 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| To Buckingham's Castle | Matt Dunkley | F♯ Major | 3 | 2B | 100 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| Main Title (From "Chocolat" Soundtrack) | Rachel Portman | D Minor | 0 | 7A | 70 BPM | ||
| Horse Power Main Theme | Barnaby Taylor | D Major | 2 | 10B | 131 BPM | ||
| Lord An's Empire | A.R. Rahman, Matt Dunkley, Czech Film Orchestra | D Major | 2 | 10B | 124 BPM | ||
| Until the end | Shigeru Umebayashi, Bi Xiaodi, Shuai Wang | D Major | 3 | 10B | 119 BPM | ||
| The TCBS | Thomas Newman | D Minor | 2 | 7A | 144 BPM | ||
| Closer Than Sisters | Abel Korzeniowski | F Minor | 1 | 4A | 68 BPM | ||
| King Arthur: Tell Me Now (What You See) | Royal Philharmonic Orchestra | C Major | 2 | 8B | 76 BPM | ||
| Happily Unknowing | Christian Andersen | B Minor | 3 | 10A | 148 BPM | ||
| Farewell No. 2 | Shigeru Umebayashi, Bi Xiaodi, Shuai Wang | C Minor | 4 | 5A | 120 BPM | ||
| The Poisoning | Matt Dunkley | B♭ Minor | 2 | 3A | 130 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| Lovers (Mei and Jin) | Shigeru Umebayashi, Bi Xiaodi, Shuai Wang | E Minor | 3 | 9A | 77 BPM | ||
| Black Gold | Sarah Nemtanu, Armand Amar | C Minor | 5 | 5A | 180 BPM | ||
| Air | Hans Zimmer, Joshua Bell, Nick Glennie-Smith | D Major | 3 | 10B | 81 BPM | ||
| Song Of The Spirit | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | F Major | 6 | 7B | 108 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Dreammaker | Thomas Bergersen | C Minor | 6 | 5A | 117 BPM |