T. N. Krishnan, Kumari Vijikrishnan's 'Vaathaapi Ganapathim' had a release date set for January 1, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 5 in Classical Instrumental - Violin by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Vaathaapi Ganapathim is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vaathaapi Ganapathim by T. N. Krishnan, Kumari Vijikrishnan is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ayigiri Nandini | Tyagaraja, K. S. G. Somanathan | G Major | 9 | 9B | 153 BPM | ||
| Ramanama Payasake | Priya Sisters | E♭ Minor | 4 | 2A | 148 BPM | ||
| Thillana (Raga: Darbari Kanda; Tala: Adi) | Doraiswamy Iyengar | A Major | 5 | 11B | 78 BPM | ||
| Paalale | Mylai S. Rajendran & Party | D♭ Major | 3 | 3B | 159 BPM | ||
| Alaipayuthe Kanna | Aruna Sairam | C Major | 4 | 8B | 143 BPM | ||
| Vilaiyada Idhu Neerama | U. Srinivas | G Major | 4 | 9B | 100 BPM | ||
| Vallabha Nayaka | Jayashankar & Valayapathy | C Major | 5 | 8B | 139 BPM | ||
| Krishna Nee Begane (Raga: Yaman Kalyani; Tala: Misrachapu) | Ranjani, Gayatri | C Major | 1 | 8B | 129 BPM | ||
| Shades of Hamsanadam - Kalyana Rama - Tala Adi | Ananth Kumar, IndianRaga, Kamaladeepthi Vempati, Kavitha Jayaraman, Nagaari, Praphul Pemmaraju, Shravan Kumar Ramani, Sindhuja Bhakthavatsalam | F Major | 8 | 7B | 160 BPM | ||
| Govardhana Giri | Sanjay Subrahmanyan | D♭ Minor | 6 | 12A | 156 BPM | ||
| Anthayu Neeve (Instrumental) | Peri Thyagaraju | B Minor | 9 | 10A | 128 BPM | ||
| Namashivaya Vaazhga | Lalgudi Swaminathan | D♭ Major | 3 | 3B | 81 BPM | ||
| Entha Vedukondu - Live | T. N. Seshagopalan, T. N. Krishnan | B Major | 7 | 1B | 119 BPM | ||
| Mannum Imayamalai - Raga - Ragamaliga - Tala - Adi | T. N. Seshagopalan, T. N. Krishnan | B Major | 7 | 1B | 119 BPM | ||
| Ganesha Kauthuvam | Gurumurthy G., Nandakumar Unnikrishnan, Gangai Muttu Nattuvanar, Malathi Iyengar | C Major | 9 | 8B | 92 BPM | ||
| Pranamamyaham - Gaula - Adi | Palghat T.S.Mani Iyer, G. N. Balasubramaniam, T. N. Krishnan, Alangudi Ramachandran | A♭ Major | 3 | 4B | 82 BPM | ||
| Shamkara Sashidara | S. P. Balasubrahmanyam | E Minor | 7 | 9A | 90 BPM | ||
| Mangaḷam: "Pavamāna" | Ranganayaki Rajagopalan, Raja Rao | F Minor | 3 | 4A | 107 BPM | ||
| Bho Sambho | Maharajapuram Santhanam | F Major | 8 | 7B | 82 BPM | ||
| Rama Rama Seetha Rama | Roopa Shree H S | E♭ Major | 3 | 5B | 162 BPM | ||
| Chitta Chora Yashoda Ke Bal | Sri Sathya Sai Bhajans | D Major | 5 | 10B | 119 BPM | ||
| Magudi | Kodhanda Raman | E♭ Major | 7 | 5B | 142 BPM | ||
| Raagam Keeravani - Aalapanai | Akkarai Subhalakshmi | D Major | 3 | 10B | 100 BPM | ||
| Yochana: Darbur - Aadi - Thyagaraja | Tyagaraja, U. Srinivas | G Major | 6 | 9B | 100 BPM | ||
| Sapasya - Jonpuri - Adi | Palghat T.S.Mani Iyer, Semmangudi Srinivasa Iyer, T. N. Krishnan | A♭ Major | 3 | 4B | 82 BPM |