"El día de la Raza" by Alejandro Amenábar had its release date on September 22, 2019. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alejandro Amenábar's "Mientras dure la guerra (Original Motion Picture Soundtrack)" album is number 11 out of 12. On top of that, Spain appears to be the country where this track was created. El día de la Raza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El día de la Raza by Alejandro Amenábar to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| KTLA | Högni | D♭ Minor | 0 | 12A | 70 BPM | ||
| They Are Everywhere - Instrumental | Alejandro Amenábar | G Major | 2 | 9B | 120 BPM | ||
| The Competition | Guy Farley | B Minor | 2 | 10A | 68 BPM | ||
| Emily Gone | Christopher Willis | A Minor | 5 | 8A | 72 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Signs of Life | Anne Dudley | E Minor | 2 | 9A | 84 BPM | ||
| La Prophétie - Bande originale du film "Kaamelott - Deuxième Volet [Partie 1]" | Alexandre Astier | E Minor | 0 | 9A | 165 BPM | ||
| I Hate a Liar | Marcelo Zarvos | D♭ Major | 1 | 3B | 171 BPM | ||
| On Her Long Lonely Train | Shigeru Umebayashi | F Major | 2 | 7B | 178 BPM | ||
| A Thousand Leagues Out | Roque Baños | C Major | 3 | 8B | 140 BPM | ||
| Kind | Valhalla Orquestra, Bill Mac Rooyen | A♭ Major | 1 | 4B | 126 BPM | ||
| Thinking Aloud | B.S.O. Varios | E♭ Minor | 1 | 2A | 81 BPM | ||
| Balcony Scene, the Shah | Ingo Ludwig Frenzel | C Minor | 0 | 5A | 71 BPM | ||
| Un final tan triste | Alejandro Amenábar | A Minor | 2 | 8A | 128 BPM | ||
| Bloom | Fatemeh Ghavidel, Alicia | A Major | 3 | 11B | 82 BPM | ||
| DE REPENTE EL HORIZONTE | Alex Conrado | B♭ Major | 4 | 6B | 63 BPM | ||
| Problemas Del Pasado | Bellum Sanctus | D Minor | 1 | 7A | 66 BPM | ||
| Subiendo Las Temperaturas | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Traum (From "Phoenix") | Stefan Will | B Major | 1 | 1B | 99 BPM | ||
| You're Free to Go (From "Official Secrets") | Paul Hepker, Mark Kilian | E Minor | 2 | 9A | 169 BPM | ||
| El Beso | Alejandro Amenábar, Carlos Nuñez | A Minor | 1 | 8A | 78 BPM | ||
| The Blue Geranium | Dominik Scherrer | E Minor | 2 | 9A | 137 BPM | ||
| Don Beltrán | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | E Minor | 2 | 9A | 127 BPM | ||
| G Major | 0 | 9B | 64 BPM | ||||
| Jessica Escapes [The Merchant of Venice] | Jocelyn Pook, David Juritz | F Minor | 1 | 4A | 139 BPM |