Donald Rubinstein's 'Lost Train Jesus' had a release date set for October 9, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Tangled Up In Bob & Other Songs". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Lost Train Jesus is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lost Train Jesus by Donald Rubinstein having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome To Nowhere | Jason Hill | G Major | 0 | 9B | 68 BPM | ||
| Brought on by Night | Christopher Young | A♭ Major | 1 | 4B | 65 BPM | ||
| Strano notturno | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| HANGAR | Atobare | A♭ Major | 4 | 4B | 76 BPM | ||
| Candyman: Helen's Theme and More | Philip Glass, Michael Riesman | C Minor | 0 | 5A | 92 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Lonely Void | Mica Levi | F♯ Major | 1 | 2B | 81 BPM | ||
| The Smell of Death | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Witch - Originale | Goblin | G Major | 10 | 9B | 109 BPM | ||
| Psycho Contact Nr. 1 | Vampire Sound Inc., Sigi Schwab, Manfred Hübler | E Minor | 4 | 9A | 177 BPM | ||
| Hårga, Collapsing | Bobby Krlic | A Major | 7 | 11B | 84 BPM | ||
| Not Tonight, I've Got a Headache | Harry Manfredini | C Major | 1 | 8B | 143 BPM | ||
| Cannibal Ferox | Roberto Donati | A♭ Major | 4 | 4B | 122 BPM | ||
| Brother & Sister | Colin Stetson | B Minor | 3 | 10A | 149 BPM | ||
| KOTD Love Theme | Steven Hufsteter | G Minor | 5 | 6A | 83 BPM | ||
| Back To Me | Donald Rubinstein | C Major | 1 | 8B | 97 BPM | ||
| Ingram Marshall (b. 1942): Fog Tropes | Ingram Marshall, John Adams, Orchestra of St. Luke's | D Major | 1 | 10B | 130 BPM | ||
| The Boat on the Water – Closing Theme 1 / Jason in the Lake | Harry Manfredini | C Major | 3 | 8B | 143 BPM | ||
| Cabrini Green | Philip Glass, Michael Riesman, The Western Wind | G Minor | 1 | 6A | 115 BPM | ||
| Bucket of Blood - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| The Black Drop | Mount Vernon Arts Lab | C Minor | 2 | 5A | 122 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Aguirre III | Popol Vuh | B♭ Major | 5 | 6B | 149 BPM | ||
| Oltre la soglia | Fabio Frizzi | D Major | 4 | 10B | 96 BPM | ||
| Savage Rite | Riz Ortolani | B Minor | 3 | 10A | 81 BPM |