"String Quartet, Op. 28: 3. Sehr fliessend" by Anton Webern, Emerson String Quartet had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. String Quartet, Op. 28: 3. Sehr fliessend's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Webern: Works for String Quartet; String Trio Op.20 by Anton Webern, Emerson String Quartet, MaryAnn McCormick. The song's track number on the album is #23 out of 23 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, String Quartet, Op. 28: 3. Sehr fliessend is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since String Quartet, Op. 28: 3. Sehr fliessend by Anton Webern, Emerson String Quartet has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String Quartet, Op. 28: 3. Sehr fliessend being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Rhythm Studies: II. A Bit Drunk | Brecht Valckenaers | A Major | 2 | 11B | 75 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 1, Alla Valse viennese | Erwin Schulhoff, Leonkoro Quartet | A Major | 2 | 11B | 75 BPM | ||
| Piano Sonata No. 1 in F minor, Op. 6: 2. (Adagio) | Alexander Scriabin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 135 BPM | ||
| Shostakovich: Piano Quintet in G Minor, Op. 57: II. Fugue. Adagio | Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja | C Minor | 0 | 5A | 90 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | A Major | 2 | 11B | 75 BPM | ||
| Lamentate: Pregando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 68 BPM | ||
| Piano Trio, M. 67: II. Pantoum. Assez vif | Maurice Ravel, Beaux Arts Trio | A Major | 2 | 11B | 75 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Scriabin: 2 Pieces, Op. 57: No. 1, Désir | Alexander Scriabin, Mikhail Pletnev | E♭ Minor | 0 | 2A | 72 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | G Major | 1 | 9B | 100 BPM | ||
| 2 Pieces for Cello and Piano: No. 1, Langsam | Anton Webern, Clemens Hagen, Oleg Maisenberg | E♭ Major | 0 | 5B | 93 BPM | ||
| Cello Sonata: II. Capriccio | György Ligeti, Miklós Perényi | G Major | 2 | 9B | 132 BPM | ||
| Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
| Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | A Major | 2 | 11B | 75 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Primer cuaderno: II. Lent | Federico Mompou | E Minor | 0 | 9A | 101 BPM | ||
| Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | ||
| 5 Pieces for Orchestra, Op. posth: II. Langsam. Sostenuto | Anton Webern, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 74 BPM |