"Cutting A Line at the Tailor" by Nathan Micay had its release date on December 4, 2020. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Cutting A Line at the Tailor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nathan Micay's "Industry OST" album is number 6 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Cutting A Line at the Tailor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cutting A Line at the Tailor by Nathan Micay to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Ghost | Christopher Spelman | C Major | 3 | 8B | 172 BPM | ||
| Trip to Neptune | Lorne Balfe | B♭ Minor | 1 | 3A | 108 BPM | ||
| You Sure They're Not Home? | Emile Mosseri | G Minor | 0 | 6A | 69 BPM | ||
| Wins/Losses | Nathan Micay | A Major | 6 | 11B | 120 BPM | ||
| Zihin Sükuneti | Ders Müzikleri, Odaklanma Müzikleri, Konsantrasyon Müziği, Ders Çalışma Müziği | F Minor | 2 | 4A | 70 BPM | ||
| Gillie Amma I Love You | Four Tet | D Major | 3 | 10B | 120 BPM | ||
| The Start of Things | Trent Reznor and Atticus Ross | A Major | 3 | 11B | 144 BPM | ||
| An Englishman's Castle | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Cravings | Jan Miserre, John Gürtler | B♭ Major | 0 | 6B | 97 BPM | ||
| Jesus and the Snake | Cliff Martinez | A Minor | 5 | 8A | 88 BPM | ||
| An Entrepreneur | Christopher Nicholas Bangs | G Major | 3 | 9B | 142 BPM | ||
| Countrie Club Henries | Nathan Micay | E Major | 0 | 12B | 139 BPM | ||
| The Death of FOMO | Nathan Micay | A Minor | 3 | 8A | 120 BPM | ||
| Vi ville noe mer | Kristoffer Lo | B Minor | 2 | 10A | 63 BPM | ||
| Big City (Everybody I Know Can Be Found Here) | Spacemen 3 | F Minor | 1 | 4A | 80 BPM | ||
| Mizuiro (From "After Yang" Soundtrack) | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| The Final Journey | Christopher Spelman | B Major | 2 | 1B | 153 BPM | ||
| Sad Story | Baris Kapiyoldas | F Minor | 1 | 4A | 80 BPM | ||
| A Business Of Codes | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM | ||
| Boys Grow Up | Artificial Pleasure, JYLDA | F Minor | 7 | 4A | 140 BPM | ||
| Eine Chance | Dascha Dauenhauer | F♯ Major | 2 | 2B | 101 BPM | ||
| Remember To Breathe | Emilie Levienaise-Farrouch | A Minor | 1 | 8A | 72 BPM | ||
| Pirate Attack | Lorne Balfe | D Minor | 3 | 7A | 119 BPM | ||
| What Gets Out | Elori Saxl | C Major | 3 | 8B | 86 BPM | ||
| Tree Synthesisers | Jonny Greenwood | F Major | 3 | 7B | 90 BPM |