Eugène Bozza, Jean-Pierre Baraglioli's 'Improvisation et caprice: I. Improvisation' had a release date set for April 5, 2019. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Seul". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Based on our statistics, Improvisation et caprice: I. Improvisation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Improvisation et caprice: I. Improvisation by Eugène Bozza, Jean-Pierre Baraglioli having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bozza: Fantaisie pastorale, Op. 37 | Eugène Bozza, François Leleux, Emmanuel Strosser | A Minor | 1 | 8A | 116 BPM | ||
| 休暇の日々から 第1集 第7曲『ロマンティックなワルツ』 | NAIX | C Minor | 2 | 5A | 189 BPM | ||
| IMPROVISO IV - A DOÇURA DO VINAGRE / improvisation IV - the sweetness of vinegar | Mário Laginha | D♭ Major | 2 | 3B | 107 BPM | ||
| 8 Concert Etudes, Op. 40: No. 1, Prelude | Nikolai Kapustin, Ophelia Gordon | C Major | 3 | 8B | 72 BPM | ||
| 3 Waltzes, D. 370: Waltz No. 11: Vivace | Domenico Dragonetti, Ubaldo Fioravanti | D Major | 1 | 10B | 152 BPM | ||
| I | Sammy Weissberg, Samuel Weissberg | D♭ Major | 2 | 3B | 107 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Prélude et ballade | Guillaume Balay, Jason Dovel, Edward Neeman | B♭ Minor | 1 | 3A | 108 BPM | ||
| Monolog nº3 -I | Josep Fuster | A Major | 0 | 11B | 116 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D♭ Major | 2 | 3B | 107 BPM | ||
| The Gates of Justice: V. Lord, Lord (Arr. for Bass Trombone, Jazz Quartet & Orchestra by Chris Brubeck) | Dave Brubeck, Iola Brubeck, Chris Brubeck, The Paul English Quartet, The Moores Symphony Orchestra, Franz Anton Krager | F Minor | 2 | 4A | 87 BPM | ||
| En Foret, Op. 40 | Eugène Bozza, 菊池洋子, Radek Baborak | F Major | 0 | 7B | 89 BPM | ||
| Walking to Manhattan | Salvatore Arena Bassoon Jazz Quartet | D Minor | 4 | 7A | 103 BPM | ||
| Raccoon Avenue | Josh Taylor | D♭ Major | 2 | 3B | 107 BPM | ||
| II. With tranquility | Paul Creston, Donald Sinta, Nelita True | A♭ Major | 0 | 4B | 60 BPM | ||
| New Day | Chris Komer | C Major | 1 | 8B | 113 BPM | ||
| MÃOS ABERTAS / open hands | Mário Laginha | D♭ Major | 2 | 3B | 107 BPM | ||
| Fui Senhor por Ti Remido | Tiago Daniel, Playback CCB | B♭ Major | 3 | 6B | 188 BPM | ||
| Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
| Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
| El Trato | gamma | A Minor | 4 | 8A | 110 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| Danzón | Johanny Navarro, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Echoes of Gospel - Arr. and Improvised | Ensemble Contraste | D Major | 1 | 10B | 171 BPM | ||
| -Walking by flashlight | Iñaki Alberdi | C Major | 3 | 8B | 103 BPM |