Barkha Rani's ' "Pahra Daivre Deta" was released on its scheduled release date, January 4, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Chumma Leta by Rekha Rani, Barkha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Pahra Daivre Deta is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Pahra Daivre Deta by Barkha Rani is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bad Dukh Katlo Tohar | Dilip Dharbhangiya | F♯ Major | 7 | 2B | 105 BPM | ||
| Kabar Mare Re | Anurag Sharma, Kanchan Joshi, Tushar Chakradhari, Pooja Sahu | F Minor | 9 | 4A | 81 BPM | ||
| Apne Naiharwa Mein | Dinesh Lal Yadav, Rachna Chopra | A Major | 5 | 11B | 80 BPM | ||
| Ghapat Maure Maur | Seema Kaushik | B♭ Minor | 9 | 3A | 136 BPM | ||
| Jabore Raurkela | Ruku Sona | C Major | 7 | 8B | 121 BPM | ||
| Siya Ke Chuman Janak Ji Ke Angna | Poonam Mishra | F♯ Major | 9 | 2B | 101 BPM | ||
| Didya Re Didya | Rekha Rani, Barkha Rani | G Major | 8 | 9B | 176 BPM | ||
| Jamajam Jawani Re | Sanjay Surila, Pramila Koya, Vijaya Raut | F Major | 9 | 7B | 144 BPM | ||
| Chanda Baadal Mein Chhup Jaye | Rekha Rao, Parmeshwar Premi | D♭ Major | 7 | 3B | 84 BPM | ||
| Payar Karele Hum Tohara Se | Aanand Mohan, Alok Kumar | B♭ Minor | 10 | 3A | 140 BPM | ||
| Apan Saga Banale | Sohil Rangari, Kanchan Joshi | D♭ Major | 10 | 3B | 160 BPM | ||
| Kar Tiya Hansi Fansi Kaare | Barkha Rani, Bhagwan Das Sharma | F♯ Major | 5 | 2B | 77 BPM | ||
| Hum Faqiron Se Dosti Karlo | Nooran Lal | D♭ Major | 9 | 3B | 80 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Kotgadi Bhagwati Ma | Khushi Joshi, Rakesh Paneru | B♭ Major | 8 | 6B | 114 BPM | ||
| Taka Shonge | Momtaj | D♭ Major | 9 | 3B | 176 BPM | ||
| Tongari Ke Bich Mein | Manoj Shahri, Bashir Ansari, Jyoti | A♭ Major | 6 | 4B | 98 BPM | ||
| Tor Dihi Ke Diya (Kantikartik) | OP Dewangan | D Major | 6 | 10B | 152 BPM | ||
| O Malik Sai | Kukila Sarkar | F♯ Minor | 9 | 11A | 77 BPM | ||
| Ae Pandey Ji Kahe Aankh Maratani | Vinod Rathod, Rekha Rao | A♭ Minor | 9 | 1A | 127 BPM | ||
| Choli Mein Tahra Rang Dalem | Guddu Rangila | D♭ Minor | 6 | 12A | 100 BPM | ||
| Katai Dur Re Piya Tor Gaon | Keshaw Keshariya, Suman Gupta | A Major | 8 | 11B | 128 BPM | ||
| Bhola Eja Nandi Ma | Khushi Joshi | G Minor | 9 | 6A | 207 BPM | ||
| Duno Hath Dhaki Jobna | Barkha Rani | D♭ Major | 7 | 3B | 97 BPM | ||
| Mon Korecho Churi | Sabina Yasmin, Monir Khan | B Minor | 8 | 10A | 96 BPM |