"Phantom Self" by Sepultura had its release date on January 13, 2017. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Sepultura's "Machine Messiah" album is number 3 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Phantom Self's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Phantom Self by Sepultura to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back to the Primitive | Soulfly | B Major | 9 | 1B | 112 BPM | ||
| Ecclesia Diabolica Catholica | Behemoth | F♯ Major | 9 | 2B | 141 BPM | ||
| Chasing Demons (feat. Howard Jones) | Jasta, Howard Jones | E Minor | 10 | 9A | 122 BPM | ||
| We Ride | Strapping Young Lad | D♭ Major | 10 | 3B | 190 BPM | ||
| No Hoard of Value | Jinjer | G Major | 10 | 9B | 130 BPM | ||
| Horrordome | Nervosa | G Major | 10 | 9B | 120 BPM | ||
| Insane | Obituary | D Major | 10 | 10B | 140 BPM | ||
| Ultimate Authority | Prong | D Major | 10 | 10B | 75 BPM | ||
| Vile Maxim | Byzantine | B♭ Minor | 10 | 3A | 175 BPM | ||
| Trauma of War | Sepultura | F♯ Minor | 6 | 11A | 90 BPM | ||
| Engage the Fear Machine | Lamb of God | D♭ Minor | 10 | 12A | 92 BPM | ||
| King of the Kill - 2013 Version | Annihilator | D♭ Minor | 9 | 12A | 88 BPM | ||
| Narcissist | Kataklysm | B Major | 10 | 1B | 87 BPM | ||
| Throwback | Act of Defiance | D♭ Minor | 10 | 12A | 110 BPM | ||
| Heartwork | Carcass | E Minor | 10 | 9A | 91 BPM | ||
| Prepare For Attack | Havok | E Minor | 10 | 9A | 175 BPM | ||
| The Only Cure | ONI | B Major | 10 | 1B | 127 BPM | ||
| Narcosynthesis | Nevermore | F Minor | 10 | 4A | 135 BPM | ||
| Headstones and the Walking Dead | Coal Chamber | G Major | 9 | 9B | 133 BPM | ||
| Cry for Me Sky (Eulogy of the Scorned) | DevilDriver | F♯ Major | 10 | 2B | 126 BPM | ||
| The Truth Is Dead | Mark Morton, Randy Blythe, Alissa White-Gluz | E Minor | 10 | 9A | 124 BPM | ||
| Condemned to the Grave | Evocation | D♭ Minor | 10 | 12A | 123 BPM | ||
| Nemesis | Arch Enemy | A♭ Major | 10 | 4B | 98 BPM | ||
| Born to Kill and Destined to Die | Kataklysm | F♯ Major | 10 | 2B | 94 BPM | ||
| The Toxic Waltz | Exodus | B Minor | 10 | 10A | 91 BPM |