"Coplas de Curro Dulce - (Copla Española)" by Fernando J. Obradors, Nicolas Urcelay had its release date on April 3, 2003. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 10 in Adios a Nicolas (Su Disco Inconcluso) by Nicolas Urcelay. Going off of the ISRC code of this track, we detected that the origin of this track is from Mexico. The popularity of Coplas de Curro Dulce - (Copla Española) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coplas de Curro Dulce - (Copla Española) by Fernando J. Obradors, Nicolas Urcelay is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 72 BPM | ||
| Debussy: Pelléas et Mélisande, L. 88, Act 3: "Mes longs cheveux descendent" (Mélisande) | Claude Debussy, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 128 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| En el Pinar | Fernando Obradors, Olaf Laneri, Daniela Nuzzoli | G Major | 1 | 9B | 66 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Debussy: Fêtes galantes, Livre I, CD 86, L. 80: III. Clair de lune | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | G Minor | 1 | 6A | 162 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Il trovatore, Act IV: D'amor sull'ali rosee vanne | Giuseppe Verdi, Sondra Radvanovsky, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 2 | 6B | 77 BPM | ||
| L'Abbandono | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 1 | 5A | 70 BPM | ||
| Dein ist mein Herz | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | D♭ Minor | 1 | 12A | 82 BPM | ||
| Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
| Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| La Traviata: "Lunge da lei" | Giuseppe Verdi, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | C Major | 1 | 8B | 79 BPM | ||
| Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | ||
| O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
| Canciones Clasicas Españolas, Vol. 1: VI. Chiquitita la novia | Fernando Obradors, Isabel Bayrakdarian, James Parker, Bryan Epperson, Maurizio Baccante, Roman Borys, Simon Fryer, David Hetherington, Roberta Jansen, Paul Widner, Thomas Wiebe, Winona Zelenka | D Major | 1 | 10B | 81 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
| O del mio dolce ardor - Live | Christoph Willibald Gluck, Angela Gheorghiu | D Major | 1 | 10B | 100 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| La fille aux cheveux de lin, L. 15 | Claude Debussy, Julie Roset, Susan Manoff | G Minor | 1 | 6A | 162 BPM |