Donnacha Dennehy, Alex Petcu's 'Paddy' had a release date set for September 16, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alex Petcu's "In Time: Music for Solo Percussion" album is number 9 out of 13. In terms of popularity, Paddy is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Paddy by Donnacha Dennehy, Alex Petcu to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chant of the Eternal Lanterns | Arjun Tara | D Minor | 0 | 7A | 72 BPM | ||
| Cantus in Memory of Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian Festival Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Fratres (Version for String Orchestra and Percussions) | Arvo Pärt, Paavo Järvi, Estonian Festival Orchestra | E Major | 0 | 12B | 66 BPM | ||
| Weary Soul | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Press One | Jack Sheen, Apartment House | A♭ Minor | 5 | 1A | 99 BPM | ||
| The Town | Daniel Duque | A♭ Minor | 5 | 1A | 99 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Night Seasons: I. Nox Perpetua | Rebecca Dale, Catullus, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
| Revue Music | Sofia Gubaidulina, Basel Sinfonietta, Titus Engel, NDR Bigband | D♭ Major | 3 | 3B | 71 BPM | ||
| Melo Walk (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Lorraine Campet, Shuichi Okada, Harry Allouche | A♭ Minor | 5 | 1A | 99 BPM | ||
| I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | A♭ Major | 5 | 4B | 83 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Postlude 8 | Elliot Cole, Blow Up Roma Percussion | F Minor | 1 | 4A | 86 BPM | ||
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| The Last Hotel: The Kids Said I'd Die Fat | Donnacha Dennehy, Claudia Boyle, Robin Adams, Crash Ensemble, Alan Pierson | G Major | 2 | 9B | 102 BPM | ||
| The Evergreen: II. Stem | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
| The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
| Night Tide Light | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
| Kentaur | Simon Zöchbauer, Federspiel | A♭ Minor | 5 | 1A | 99 BPM | ||
| The Last Hotel: It Was to Celebrate These New Houses | Donnacha Dennehy, Claudia Boyle, Robin Adams, Crash Ensemble, Alan Pierson | A♭ Major | 7 | 4B | 105 BPM | ||
| Partita, Op. 2: III. Larghetto | Georgijs Osokins, Arvo Pärt | F♯ Major | 2 | 2B | 112 BPM | ||
| Concerto for Violin and Orchestra, Op. 36: I. Poco allegro | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko, Patricia Kopatchinskaja | A♭ Minor | 5 | 1A | 99 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| Tram | Oliver Coates | B♭ Minor | 0 | 3A | 70 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM |