Pops Staples's ' "Why Am I Treated So Bad" was released on its scheduled release date, January 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 11 in Father Father by Pops Staples. In terms of popularity, Why Am I Treated So Bad is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Why Am I Treated So Bad by Pops Staples is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Had A Boat | The Holmes Brothers | E Major | 5 | 12B | 97 BPM | ||
| Waynesboro | Ramsay Midwood | B♭ Minor | 6 | 3A | 118 BPM | ||
| Sharon | David Bromberg | A Major | 6 | 11B | 97 BPM | ||
| Long Face | Bobby Charles | D♭ Major | 4 | 3B | 108 BPM | ||
| Oreo Cookie Blues - Remastered | Lonnie Mack | E Major | 4 | 12B | 96 BPM | ||
| How Do I Get There? | Don Bryant | F♯ Minor | 5 | 11A | 92 BPM | ||
| Maybelline | Ramsay Midwood | A♭ Minor | 6 | 1A | 118 BPM | ||
| To Rise You Gotta Fall | Nicki Bluhm | A Major | 6 | 11B | 167 BPM | ||
| Good Times | Ray Bonneville | A♭ Major | 5 | 4B | 123 BPM | ||
| Spinnin' On This Rock | Ramsay Midwood | D Minor | 7 | 7A | 106 BPM | ||
| Moonshine | Luther Dickinson | C Minor | 8 | 5A | 121 BPM | ||
| Brown Skin Woman | Snooks Eaglin | B Major | 2 | 1B | 105 BPM | ||
| Harlem Country Girl | Olu Dara | D♭ Major | 3 | 3B | 101 BPM | ||
| Watch Me Go | Luke Winslow-King | F Major | 6 | 7B | 107 BPM | ||
| Gotta Serve Somebody | Pops Staples | E Minor | 7 | 9A | 165 BPM | ||
| Oh Well | Leo Kottke, Mike Gordon | E Minor | 7 | 9A | 99 BPM | ||
| Take Me To The Pilot | Odetta | D Major | 5 | 10B | 88 BPM | ||
| Clap Hands | John Hammond | G Major | 5 | 9B | 81 BPM | ||
| Keep Your Lamp Trimmed And Burning | Derek Trucks, Susan Tedeschi | A Major | 3 | 11B | 71 BPM | ||
| Illinois Blues | Alvin Youngblood Hart | B Minor | 0 | 10A | 109 BPM | ||
| More and More, Less and Less | Delbert McClinton & Glen Clark | E Major | 9 | 12B | 107 BPM | ||
| The Downward Road | Pops Staples | B Major | 0 | 1B | 88 BPM | ||
| Train Train | Jimmy "Duck" Holmes | G Minor | 5 | 6A | 94 BPM | ||
| Frankie And Johnnie | Corey Harris | E Major | 3 | 12B | 111 BPM | ||
| Neon Magazine | Bosley | G Major | 6 | 9B | 121 BPM |