Rob's 'Orangerie' had a release date set for May 22, 2025. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Orangerie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rob, Cédric Klapisch's "La venue de l'avenir (Original Motion Picture Score)" album is number 15 out of 17. On top of that, France appears to be the country where this track was created. In terms of popularity, Orangerie is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Orangerie by Rob to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Un nouveau jour | Brice Davoli | B♭ Minor | 1 | 3A | 120 BPM | ||
| Douleur | Delphine Malaussena | C Minor | 0 | 5A | 136 BPM | ||
| The Yacht | Benjamin Wallfisch | F Major | 1 | 7B | 76 BPM | ||
| Pink Colored Snowflakes | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| Bouncing Ball | Bryce Dessner | D♭ Major | 1 | 3B | 90 BPM | ||
| Abandon et espoir | Alexandre Desplat | A Minor | 1 | 8A | 63 BPM | ||
| Filled To The Brim | Laurent Dury | A Minor | 2 | 8A | 180 BPM | ||
| Hush Hush | Laurent Dury, ArtSound | F♯ Minor | 2 | 11A | 95 BPM | ||
| Suite Royale: The Queen | Alexandre Desplat, Orchestre de Paris | G Major | 2 | 9B | 93 BPM | ||
| Jay Kelly Theme - Piano and Strings | Nicholas Britell | F Major | 3 | 7B | 203 BPM | ||
| I am Light - From Origines | Jonathan Fitas | A Major | 2 | 11B | 179 BPM | ||
| Nasha | jung jaeil | G Minor | 2 | 6A | 95 BPM | ||
| Vertical Ambitions | Laurent Dury | A Major | 3 | 11B | 140 BPM | ||
| Wes Anderson’s Suite: Fantastic Mr. Fox | Alexandre Desplat, Orchestre de Paris, Florentino Calvo, Giani Caserotto, Iurie Morar | G Major | 2 | 9B | 93 BPM | ||
| Belladone | Chloé Antoniotti | C Major | 3 | 8B | 69 BPM | ||
| The Tree of Life | Alexandre Desplat, Orchestre de Paris | G Major | 2 | 9B | 93 BPM | ||
| Light 42 | Rob | B♭ Minor | 2 | 3A | 120 BPM | ||
| I Am Where I’m Supposed To Be | Christopher Bear | E Minor | 0 | 9A | 77 BPM | ||
| The Ball | Asaf Avidan | F Minor | 2 | 4A | 122 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Celestial | Alban Claudin | A Major | 2 | 11B | 75 BPM | ||
| Non Fiction: II.III Cantabile | Hania Rani, Manchester Collective, Jack Wyllie, Valentina Magaletti, Hugh Tieppo-Brunt | G Minor | 2 | 6A | 87 BPM | ||
| Nocturne No. 15 in F Minor, Op. 55, No. 1 | Frédéric Chopin, Maria João Pires | F Minor | 0 | 4A | 79 BPM | ||
| Le jardin | Mari Fukuhara | D Major | 5 | 10B | 180 BPM | ||
| Closing Credits | Alberto Iglesias | C Major | 2 | 8B | 73 BPM |