"The Bodlean" by Isabella Summers had its release date on August 1, 2025. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Isabella Summers's "My Oxford Year (Soundtrack from the Netflix Film)" album is number 3 out of 18. Based on our statistics, The Bodlean's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Bodlean by Isabella Summers to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Seven Dials Meet | Anne Nikitin | C Minor | 4 | 5A | 125 BPM | ||
| El Futuro | Verdes Atardeceres | A♭ Major | 1 | 4B | 90 BPM | ||
| Attraction | Delphine Malaussena | D Minor | 4 | 7A | 180 BPM | ||
| We Have Each Other | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Call for the Ambassador | Marcelo Zarvos | C Minor | 2 | 5A | 144 BPM | ||
| Edward Guinness | Ilan Eshkeri | A Minor | 1 | 8A | 81 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| Elitka | Ednan Poladov, Edwin Pantap | E Major | 1 | 12B | 80 BPM | ||
| I Wanted To Talk To Her | Hannes De Maeyer, Ruben de Gheselle | G Major | 1 | 9B | 120 BPM | ||
| Deep Fate (Dark Matter Main Titles) | Jason Hill | C Major | 6 | 8B | 124 BPM | ||
| Chasing the Love of Strangers | Jeff Danna | C Minor | 1 | 5A | 69 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Baby Girl Brown | Steven Price | D Major | 1 | 10B | 72 BPM | ||
| The Whole World Was Ready To Return | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
| The Night Country (feat. Tanya Tagaq) | Vince Pope, Tanya Tagaq | E♭ Minor | 2 | 2A | 111 BPM | ||
| Autopsy Results | Johannes Ringen | C Minor | 0 | 5A | 73 BPM | ||
| Nouvelles pistes | Amine Bouhafa | G Minor | 2 | 6A | 119 BPM | ||
| Wild Orchid | Isabella Summers, Freya Ridings | C Minor | 4 | 5A | 125 BPM | ||
| Of Her Word | Andrew Lockington | A♭ Minor | 0 | 1A | 70 BPM | ||
| The End | Isabella Summers | C Major | 3 | 8B | 128 BPM | ||
| I Think He's Hurting Himself | Aaron May, David Ridley | C Minor | 0 | 5A | 86 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| A Feather From Tate - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| A Table for the Departed | Jeff Danna, Arden Danna | C Major | 2 | 8B | 120 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM |