"Scene 1: The Woodcutter (feat. John Taylor Ward)" by Christopher Cerrone, Metropolis Ensemble, Andrew Cyr, John Taylor Ward had its release date on July 7, 2023. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Scene 1: The Woodcutter (feat. John Taylor Ward)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher Cerrone's "In A Grove" album is number 2 out of 11. On top of that, United States appears to be the country where this track was created. Scene 1: The Woodcutter (feat. John Taylor Ward) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scene 1: The Woodcutter (feat. John Taylor Ward) by Christopher Cerrone, Metropolis Ensemble, Andrew Cyr, John Taylor Ward to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata For Solo Cello "Joanna's Tale": II. | Dobrawa Czocher | D Minor | 4 | 7A | 95 BPM | ||
| Kyrie | Euan Stevenson, Julia Doyle | F Major | 2 | 7B | 81 BPM | ||
| Three Might Slip | Evan Shornstein, Will Epstein | D Major | 0 | 10B | 67 BPM | ||
| I Will Learn To Love A Person: 3. I Will Learn How To Love A Person And Then I Will Teach You And Then We Will Know | Christopher Cerrone, Lindsay Kesselman, Timo Andres, Mingzhe Wang, Ian Rosenbaum | A♭ Major | 1 | 4B | 96 BPM | ||
| 26 | Spafford Campbell | D Major | 3 | 10B | 117 BPM | ||
| Frekktoskus & Herr Ménikk | Trondheim Jazz Orchestra, Alf Hulbækmo | D Major | 0 | 10B | 112 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Hilton | Alexandre Desplat | C Major | 1 | 8B | 76 BPM | ||
| Kaarnaa myöten | Lauri Porra | D Major | 0 | 10B | 165 BPM | ||
| Songs & Poems: Song VI (arrranged for viola) | Philip Glass, Amelia Hollander Ames | D Major | 0 | 10B | 112 BPM | ||
| Beaufort Scales: V. Interlude 2 | Christopher Cerrone, Lorelei Ensemble, Beth Willer | A Minor | 2 | 8A | 129 BPM | ||
| Stimm | Hildur Guðnadóttir | F♯ Major | 0 | 2B | 137 BPM | ||
| Broken Seam | Park Jiha | C Minor | 0 | 5A | 135 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: II. Serenade. Adagio | Dmitri Shostakovich, Cuarteto Casals | D Major | 0 | 10B | 112 BPM | ||
| Qui a Autorize Cette Horreur | Amanda Irarrazabal, Volker Goetze | D Major | 0 | 10B | 112 BPM | ||
| Für Lennart in memoriam | Arvo Pärt, Paavo Järvi, Estonian Festival Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Window From One Heart To Another - For Rumi | Tigran Hamasyan | D Major | 0 | 10B | 112 BPM | ||
| Sammalen asukkaat | Lauri Porra | G Major | 4 | 9B | 93 BPM | ||
| The Evergreen: IV. Root | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
| Cell Trio II | Meredith Monk, Katie Geissinger, Allison Sniffin | B♭ Minor | 1 | 3A | 73 BPM | ||
| Pavilion in the Trees Pt. 1 | Ellen Reid, Lisel | A Major | 2 | 11B | 80 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| WINDMILLS, Pt. I | Lubomyr Melnyk | D Major | 0 | 10B | 112 BPM | ||
| Liminal Highway: I. When You Fall Asleep in Transit | Christopher Cerrone, Tim Munro | F♯ Minor | 0 | 11A | 70 BPM | ||
| Ochre: VII. Geothite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM |