Moraíto, Los Marismeños's ' "Lleva Compás" was released on its scheduled release date, January 31, 2004. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Moraíto's "Morao Morao" album is number 9 out of 10. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Lleva Compás is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Lleva Compás by Moraíto, Los Marismeños to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bulería 3 | Jesús Méndez | E Minor | 4 | 9A | 109 BPM | ||
| Si Eres Hija de una Paya (Tangos) | Rancapino, Paco Cepero | C Minor | 5 | 5A | 152 BPM | ||
| Bulerías por Soleá | Manuel de Cantarote | F♯ Major | 5 | 2B | 144 BPM | ||
| Caña: Segundo Bloque | El Trini, Victor M. Rosa, Mariló García, Lurdes García | F♯ Major | 4 | 2B | 145 BPM | ||
| Morentangos | Marina Heredia | G Minor | 6 | 6A | 77 BPM | ||
| Horcas y Cuchillos (Bulería) | Diego Guerrero, Pepe Fernandez, Pablo Báez, Nasrine Rahmani | C Major | 6 | 8B | 105 BPM | ||
| Mi niño Manuel | Manuel Molina | E Major | 5 | 12B | 106 BPM | ||
| La Primera Bulería | Montse Cortés, José del Tomate, Ané Carrasco | C Major | 6 | 8B | 118 BPM | ||
| Recuerdo a la Charo | Antonio de la Malena | F♯ Minor | 6 | 11A | 120 BPM | ||
| Ciento Cincuenta Pesos (Bulería al Galope) | Rosario La Tremendita | G Minor | 3 | 6A | 80 BPM | ||
| Bulería al Tío Chocolate | Iván Carpio, Juanfran Carrasco | B♭ Minor | 6 | 3A | 140 BPM | ||
| Bulerías de la Lluvia - Cuplé por Bulerías | Laura Marchal, Víctor Franco | G Minor | 5 | 6A | 120 BPM | ||
| Suelta el Pavo | Diego Carrasco, Moraito Chico | E Major | 5 | 12B | 127 BPM | ||
| ¡Viva la Tierra. Viva! (Alegrías) | Argentina | G Major | 3 | 9B | 78 BPM | ||
| Mírala Bien (Bulerías) | Juan Moneo 'El Torta' | D♭ Minor | 7 | 12A | 111 BPM | ||
| Como Me Miras | La Fabi | A Minor | 6 | 8A | 82 BPM | ||
| Este loco (Bulerías) | Pansequito | F Minor | 8 | 4A | 117 BPM | ||
| Colombianas: Primer Bloque | El Trini, Victor M. Rosa, Rafael García, Mariló García, Lurdes García | F Minor | 5 | 4A | 91 BPM | ||
| Bulerías al Niño Lucas | Samuel Serrano | E Major | 7 | 12B | 117 BPM | ||
| Tangos Extremeños | Miguel de Tena, Francisco Pinto | F Minor | 5 | 4A | 81 BPM | ||
| Bulerías de las Calles de Jerez | El Sordera | E♭ Minor | 7 | 2A | 124 BPM | ||
| Bulerías de Paula | El Loco Romántico, J. M. Alconchel | A Major | 8 | 11B | 166 BPM | ||
| Bulerías al Golpe | Ezequiel Benítez, La Macanita, May Fernandez, Juan Villar | F Major | 6 | 7B | 110 BPM | ||
| Esperando el Porvenir | Joaquín El Zambo | B♭ Major | 2 | 6B | 134 BPM | ||
| Y dijo mi Dios - Bulerías | Juanito Villar | E Minor | 8 | 9A | 115 BPM |