Ghulam Ali's ' "Dard O Gham Na Raha" was released on its scheduled release date, February 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ghulam Ali's "Husn-E-Gazal" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Dard O Gham Na Raha is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dard O Gham Na Raha by Ghulam Ali to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ladi Re Ladi Tujhse Aankh Jo Ladi | Jagjit Kaur | B Minor | 3 | 10A | 96 BPM | ||
| Tora Dekhe Ja Amina Mayer Kole | Mohammed Rafi | D Major | 6 | 10B | 157 BPM | ||
| Piritiya Kahe Na Lagavle | Sharda Sinha | A♭ Major | 6 | 4B | 157 BPM | ||
| Woh Bhi Suraj Ka Sataya Hoga | Pankaj Udhas | F Major | 5 | 7B | 123 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Suni Prabhu Bachan Bhalu Kapi Harshe | Nitin Mukesh, Arun Dangle, Hemlata | A Major | 5 | 11B | 150 BPM | ||
| Behena O Behena - Sad Version | Mohammed Aziz | B Major | 1 | 1B | 159 BPM | ||
| Ishwar Tu Pan Chhe Vignani | NARAYANSWAMI | E Major | 6 | 12B | 120 BPM | ||
| Bhajan Karle Tu Bhajan Karle | Mahendra Kapoor | D♭ Minor | 5 | 12A | 100 BPM | ||
| Maa Amar Rajar Meye | Dhananjay Bhattacharya | C Major | 3 | 8B | 113 BPM | ||
| Zakhm-E-Dil Ke Agar Siye Hote | Ghulam Ali | F♯ Minor | 4 | 11A | 98 BPM | ||
| Mat Kar Moh Too Hari Bhajan Ko Maan Re | Bhimsen Joshi | D♭ Minor | 4 | 12A | 88 BPM | ||
| Bhaji Lene Narayan Nu Nam | NARAYANSWAMI | F Major | 4 | 7B | 143 BPM | ||
| Lalayit Adharon Se Jisne | Manna Dey | A♭ Major | 2 | 4B | 70 BPM | ||
| Tute Hue Dilon Ki Dua | Pankaj Udhas | D♭ Major | 4 | 3B | 80 BPM | ||
| Dekho Dekho | Sabita Banerjee, Suman Hemady, Kamala | A♭ Major | 3 | 4B | 62 BPM | ||
| Megum Ki Dostat Daaram | Ahmad Zahir | B Minor | 6 | 10A | 112 BPM | ||
| Aasaar Aasaa Bhabe Aasaa | Pannalal Bhattacharya | B Minor | 6 | 10A | 120 BPM | ||
| Aao Khele Sajan Sang Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| Pehle Bhi Majbooriyan Thi | Chandan Dass | A Major | 5 | 11B | 105 BPM | ||
| Muje Hai kam Ishwar se | NARAYANSWAMI | F Major | 5 | 7B | 95 BPM | ||
| Niyona Biday | Pannalal Bhattacharya | A Major | 2 | 11B | 77 BPM | ||
| Bar Sukh Saar Paol - Ganga Stuti | Sarda Sinha | D♭ Major | 4 | 3B | 126 BPM | ||
| Vada Na Tera Toote | Jagmohan Sursagar | B♭ Major | 4 | 6B | 92 BPM | ||
| La Pila De Saqia | Munni Begum | A♭ Major | 6 | 4B | 88 BPM |