Anand Oak, M.D.Saurabh, Anuja Deore's 'Mazya Rajan Dilaya Dan' had a release date set for April 28, 2025. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Mazya Rajan Dilaya Dan and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. The popularity of Mazya Rajan Dilaya Dan is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mazya Rajan Dilaya Dan by Anand Oak, M.D.Saurabh, Anuja Deore to be Presto (very, very fast) because the track has a tempo of 190 BPM, a half-time of 95BPM, and a double-time of 380 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Vithu Rayachi Nagari - Original | Dravesh Patil, NA | G Major | 5 | 9B | 165 BPM | ||
| Chal Ga Sakhe Pandharila - Abhanga Repost | Abhanga Repost, Madhukar Pathak, Datta Patil | E Major | 9 | 12B | 103 BPM | ||
| He Shaktipeeth Nayike - From "Sher Shivraj" | Avadhoot Gandhi, Devdutta Manisha Baji | E Major | 9 | 12B | 98 BPM | ||
| Sacrifice Of Pawankhind | Devdutta Manisha Baji | F♯ Minor | 10 | 11A | 91 BPM | ||
| Ghe Paaul Pudhe Jara | Nihira Joshi Deshpande | A♭ Major | 8 | 4B | 102 BPM | ||
| Longing For Jaie (From "April May 99") | Rohan Pradhan, Bhumi Pradhan, Rohan Rohan, Prashant Madpuwar | F Major | 3 | 7B | 136 BPM | ||
| Woh Maseehan Aa Gaya hai | Devdutta Manisha Baji, Ashish Kulkarni, Divya Kumar | D Major | 7 | 10B | 173 BPM | ||
| Ya Re Ya | Rohan Pradhan, Manoj Yadav, Rohan Rohan | D Major | 6 | 10B | 100 BPM | ||
| Krishna Janmala | Vaishali Samant, Sonu Kakkar | F Minor | 7 | 4A | 120 BPM | ||
| Gana Dhav Re | Devdatt Sable | A♭ Major | 5 | 4B | 153 BPM | ||
| Vedshastramaji | Anuradha Paudwal | E Major | 5 | 12B | 100 BPM | ||
| Bappa Wala Gana 2 | Sanju Rathod, G-SPXRK, Sonali Sonawane | A♭ Major | 7 | 4B | 117 BPM | ||
| Gaav Majhe | Anurag Godbole | B Major | 3 | 1B | 85 BPM | ||
| Ala Nagarsevak | Raja Hasan, Dev Chavan | D Major | 7 | 10B | 140 BPM | ||
| Dawa Sivraaj Ko | Devdutta Manisha Baji | F♯ Major | 8 | 2B | 118 BPM | ||
| Moraya Vinayaka | Shankar Mahadevan | F♯ Minor | 2 | 11A | 115 BPM | ||
| Kancha Pichali Mazi Bangdi | Gayatri Shelar, Akshay Garadkar | E♭ Major | 9 | 5B | 125 BPM | ||
| Ladachi Shethani | Praniket Khune, Sandhya Keshe, Mugdha Karhade, Radha Patil | F♯ Minor | 8 | 11A | 130 BPM | ||
| Palkhi Nighali Rajachi | Sanjay Sawant | E Major | 7 | 12B | 95 BPM | ||
| He Gajavadan | Saleel Kulkarni | C Major | 6 | 8B | 114 BPM | ||
| Kulvadhu | Vaishali Made, Nilesh Moharir | G Major | 6 | 9B | 160 BPM | ||
| GAADI GHUNGARACHI AALI THORLYA BHAYACHI | Vilas Atak, Shahir Ramanand Ugale | C Major | 7 | 8B | 138 BPM | ||
| Changbhala | Durgesh Kale | F Minor | 7 | 4A | 120 BPM | ||
| Garjuni Gaate Sambal | Manish Rajgire | A♭ Major | 9 | 4B | 123 BPM |