Merle Haggard's ' "The Fugitive" was released on its scheduled release date, January 21, 2019. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 32 in Folsom Prison Blues by Merle Haggard. Based on our statistics, The Fugitive's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Fugitive by Merle Haggard is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything That Glitters (Is Not Gold) | Dan Seals | E Major | 3 | 12B | 112 BPM | ||
| Play, Guitar Play | Conway Twitty | D Major | 6 | 10B | 127 BPM | ||
| Amanda | Waylon Jennings | A Major | 5 | 11B | 125 BPM | ||
| In Some Room Above the Street | Gary Stewart | A Major | 5 | 11B | 145 BPM | ||
| You're The Reason God Made Oklahoma | David Frizzell, Shelly West | A Major | 3 | 11B | 98 BPM | ||
| She's All I Got | Johnny Paycheck | D Major | 1 | 10B | 68 BPM | ||
| The Cold Hard Facts of Life | Porter Wagoner | C Major | 4 | 8B | 133 BPM | ||
| Daddy Never Was the Cadillac Kind | Confederate Railroad | E Major | 5 | 12B | 77 BPM | ||
| Old Flame | Alabama | F Major | 4 | 7B | 110 BPM | ||
| Ride Me Down Easy | Billy Joe Shaver | G Major | 4 | 9B | 102 BPM | ||
| Holding Things Together | Merle Haggard | A♭ Major | 7 | 4B | 129 BPM | ||
| Coca-Cola Cowboy | Bill Phillips | F Major | 4 | 7B | 122 BPM | ||
| The King Is Gone (So Are You) | George Jones | G Major | 3 | 9B | 117 BPM | ||
| Third Rate Romance | Sammy Kershaw | B♭ Major | 8 | 6B | 117 BPM | ||
| Fightin Side Of Me | Merle Haggard | E Major | 4 | 12B | 96 BPM | ||
| Kentucky Gambler | Merle Haggard | A♭ Major | 6 | 4B | 100 BPM | ||
| The Jamestown Ferry | Tanya Tucker | B♭ Major | 3 | 6B | 124 BPM | ||
| Thinkin' Problem | David Ball | C Major | 6 | 8B | 110 BPM | ||
| The Ride | David Allan Coe | F Major | 4 | 7B | 84 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Branded Man | Merle Haggard | A Major | 4 | 11B | 88 BPM | ||
| I Tell It Like It Used To Be | T. Graham Brown | D Major | 6 | 10B | 89 BPM | ||
| Dim Lights, Thick Smoke (And Loud, Loud Music) | Vern Gosdin | E Major | 4 | 12B | 142 BPM | ||
| Me and You and a Dog Named Boo | Stonewall Jackson | F♯ Major | 6 | 2B | 126 BPM | ||
| The Lord Knows I'm Drinking | Cal Smith | A Major | 5 | 11B | 173 BPM |