Gerhard Oppitz's 'I. Von fremden Ländern und Menschen' had a release date set for August 15, 2014. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Saphirblau (Original Soundtrack)". In this album, this song's track order is #16. I. Von fremden Ländern und Menschen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I. Von fremden Ländern und Menschen by Gerhard Oppitz having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saëns: Mazurka No. 3 in B Minor, Op. 66 | Camille Saint-Saëns, Bertrand Chamayou | A Major | 2 | 11B | 79 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Gerhard Oppitz | D Major | 1 | 10B | 74 BPM | ||
| Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| Piano Sonata No. 21 In B Flat Major, D.960: IV. Allegro ma non troppo | Franz Schubert, Krystian Zimerman | B♭ Major | 1 | 6B | 73 BPM | ||
| Lied in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia – | Clara Schumann, Tasmanian Symphony Orchestra, Howard Shelley | F Major | 0 | 7B | 72 BPM | ||
| Scriabin: Prelude and Nocturne for the Left Hand, Op. 9: No. 1, Prelude in C-Sharp Minor | Alexander Scriabin, Andrei Gavrilov | F Minor | 1 | 4A | 142 BPM | ||
| Fantasy on Polish Airs, Op. 13: Kujawiak. Vivace | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | A Major | 1 | 11B | 166 BPM | ||
| Dumka In E Minor Op. 59 | Vladimir Horowitz | C Minor | 1 | 5A | 96 BPM | ||
| Smetana: 3 Poetic Polkas, Op. 8: No. 1 in E-Flat Major | Bedřich Smetana, András Schiff | A♭ Major | 1 | 4B | 107 BPM | ||
| Kreisler / Arr. Rachmaninov: 3 Alt-Wiener Tanzweisen: No. 2, Liebesleid | Fritz Kreisler, Aurélien Pontier | E Minor | 1 | 9A | 83 BPM | ||
| Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
| 3 Ghazeles, Op. 54: No. 1, Andante con moto | Ferdinand Hiller, Tobias Koch | C Major | 1 | 8B | 65 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 7, in A Major: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Major | 0 | 11B | 80 BPM | ||
| Chant Sans Paroles. Op. 2, No. 3 - Duo-Art 7154 | Pyotr Ilyich Tchaikovsky, Shura Cherkassky, Peter Phillips | F Major | 1 | 7B | 73 BPM | ||
| Kreisleriana, Op. 16: 8. Schnell und spielend | Vladimir Horowitz | G Minor | 1 | 6A | 98 BPM | ||
| Prélude, Choral et Fugue, FWV 21: Choral. Poco più lento - Poco Allegro | César Franck, Nikolai Lugansky | E♭ Minor | 0 | 2A | 70 BPM | ||
| Nocturne No. 3 in A-Flat Major | John Field, Miceal O'Rourke | A♭ Major | 0 | 4B | 111 BPM | ||
| Piano Sonata in C Minor: I. Allegro moderato e con espressione | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM | ||
| Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: II. Moderato In E Major | Sigismond Thalberg, Francesco Nicolosi | C Minor | 1 | 5A | 72 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 1 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| 8 Novelletten, Op. 21: No. 3, Leicht und mit Humor | Robert Schumann, Gerhard Oppitz | D Major | 1 | 10B | 74 BPM | ||
| Piano Sonata No. 2 in G Minor, Op. 22: II. Andantino | Robert Schumann, Murray Perahia | D♭ Major | 0 | 3B | 130 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegro molto vivace | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | ||
| Kyllikki - Three Lyrical Pieces for Piano, Op. 41: I. Largamente | Jean Sibelius, Leif Ove Andsnes | E♭ Minor | 1 | 2A | 133 BPM |