"Phone Booth" by Bernard Herrmann had its release date on January 1, 1997. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 40 in the song's album "Psycho (The Complete Original Motion Picture Score)". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United States. Phone Booth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phone Booth by Bernard Herrmann having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Record of a Living Being | Fumio Hayasaka | B♭ Major | 2 | 6B | 66 BPM | ||
| L'amore dice Ciao (Piano Solo) - Remastered | Armando Trovajoli | G Minor | 0 | 6A | 138 BPM | ||
| Strip Tease | Alain Goraguer | D Minor | 3 | 7A | 121 BPM | ||
| Valérie - Bande originale du film "Le samouraï" | François de Roubaix | D♭ Major | 1 | 3B | 109 BPM | ||
| Maquillage | Stelvio Cipriani | A Major | 3 | 11B | 145 BPM | ||
| White Sands | Alessandro Alessandroni | B♭ Major | 5 | 6B | 76 BPM | ||
| December | Gianni Marchetti | F Minor | 1 | 4A | 95 BPM | ||
| Uccidere in silenzio 3 | Nora Orlandi, Stelvio Cipriani | G Major | 1 | 9B | 125 BPM | ||
| Kay's Theme (From "The Godfather Part II") | Carmine Coppola | E Major | 1 | 12B | 87 BPM | ||
| Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM | ||
| Invocation | Wojciech Kilar | A Major | 2 | 11B | 58 BPM | ||
| Blade Runner Blues | Vangelis | F Minor | 7 | 4A | 123 BPM | ||
| Noire Clarinet | Andrew Hale | C Major | 1 | 8B | 75 BPM | ||
| Vicino A Te | Stelvio Cipriani | A Major | 1 | 11B | 70 BPM | ||
| Street Tattoo | Bohren & Der Club Of Gore | B♭ Major | 0 | 6B | 178 BPM | ||
| Eclisse Slow | Giovanni Fusco | G Major | 1 | 9B | 73 BPM | ||
| Sanjuro | Masaru Sato | D Major | 4 | 10B | 116 BPM | ||
| Trevor's Lair | Roque Baños | D Major | 0 | 10B | 68 BPM | ||
| Thank God for the Rain | Bernard Herrmann | D Minor | 1 | 7A | 113 BPM | ||
| Sandalwood II | Jonny Greenwood | C Major | 1 | 8B | 82 BPM | ||
| Slow pour vibra et trombone - From "Le doulos" | Paul Misraki | C Minor | 1 | 5A | 80 BPM | ||
| Recours en grâce - From Deux hommes dans la ville | Philippe Sarde | E Minor | 1 | 9A | 86 BPM | ||
| Marion And Sam | Bernard Herrmann | C Major | 0 | 8B | 50 BPM | ||
| Night Lights | Gerry Mulligan Sextet | F Minor | 2 | 4A | 131 BPM | ||
| Overture | Punch-Drunk Love | B♭ Major | 1 | 6B | 76 BPM |