Junpei Oda's ' "マリア" was released on its scheduled release date, March 1, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in CoverAlbum~散歌~【DISC A】 by Junpei Oda. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, マリア is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of マリア by Junpei Oda is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ずっとありがとう。 | Shunsuke Kiyokiba | F♯ Major | 3 | 2B | 132 BPM | ||
| SA.KU.RA | 真田ナオキ | D♭ Major | 4 | 3B | 84 BPM | ||
| Be mine again | すぎもとまさと | D Minor | 7 | 7A | 106 BPM | ||
| あなたがいれば | Yasuko Naito | F Major | 5 | 7B | 130 BPM | ||
| 冬の旅 | 二見颯一 | C Minor | 5 | 5A | 109 BPM | ||
| 赤いピアス | Shoji Koganezawa | A♭ Minor | 6 | 1A | 77 BPM | ||
| 花のように鳥のように | すぎもとまさと | E♭ Major | 5 | 5B | 143 BPM | ||
| 済州エア・ポート | 半田浩二 | D Minor | 9 | 7A | 152 BPM | ||
| おもいで | 北川大介 | E Major | 5 | 12B | 76 BPM | ||
| 終わりに出来ない | Park Junyoung | B♭ Minor | 9 | 3A | 145 BPM | ||
| OLD HIGHWAY | 大塚 浩司 | G Major | 9 | 9B | 186 BPM | ||
| ありのままでそばにいて | Hiromi Go | G Major | 3 | 9B | 107 BPM | ||
| 悲しみが痛いよ ~Acoustic Version~ | T-BOLAN | G Major | 7 | 9B | 73 BPM | ||
| 哀愁の雨 | Park Junyoung | A Minor | 5 | 8A | 94 BPM | ||
| 22才の別れ(来年もよろしくコンサート 1975) | Kaze | G Minor | 6 | 6A | 138 BPM | ||
| つむじ風 | Shiro Miya | G Major | 8 | 9B | 142 BPM | ||
| 時の過ぎゆくままに | 真田ナオキ | E Minor | 6 | 9A | 136 BPM | ||
| おもいでの神戸 | Ryotaro Sugi | B Minor | 6 | 10A | 141 BPM | ||
| 笑いじわ | 瀬川瑛子 | C Minor | 7 | 5A | 143 BPM | ||
| わかって下さい | 因幡晃 | G Major | 6 | 9B | 166 BPM | ||
| 旅するソングライター (Remix Version) | Shogo Hamada | C Major | 4 | 8B | 152 BPM | ||
| 真赤なフィアット (セルフカバー) - Remastered 2022 | Eikichi Yazawa | E Major | 5 | 12B | 120 BPM | ||
| 奇跡のような日 | Kiyomi Suzuki, 桑野信義, Masamichi Sugi | F Major | 5 | 7B | 126 BPM | ||
| 順子 | Takajin Yashiki | A Major | 3 | 11B | 72 BPM | ||
| 17歳~そして、大人になる前に~ | HAKU. | G Major | 7 | 9B | 126 BPM |