Jared Emerson-Johnson's 'Thank You' had a release date set for September 10, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "The Walking Dead: The Telltale Series Soundtrack (Season 4, Pt. 2)". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. Thank You is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thank You by Jared Emerson-Johnson having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bitter Revenge | Jared Emerson-Johnson | D Minor | 0 | 7A | 153 BPM | ||
| At the Edge of Everything, Some Place Far Away | Brandon Boone | G Minor | 1 | 6A | 75 BPM | ||
| Glenn's Wheels | Bear McCreary | C Major | 4 | 8B | 138 BPM | ||
| Beside the Dying Fire | Bear McCreary | A♭ Major | 3 | 4B | 100 BPM | ||
| Gary | Final Space | D Minor | 0 | 7A | 79 BPM | ||
| Masks On | Mac Quayle | A Major | 2 | 11B | 78 BPM | ||
| Plight | Brain | D Major | 3 | 10B | 94 BPM | ||
| End Credits | Samuel Laflamme | E Minor | 3 | 9A | 147 BPM | ||
| Little Lost Things | Tobias Lilja | E♭ Major | 1 | 5B | 72 BPM | ||
| Vanished Voices (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | G Minor | 1 | 6A | 123 BPM | ||
| Long Road Ahead | Jared Emerson-Johnson | G Major | 0 | 9B | 85 BPM | ||
| The Reception Hall | NyxTheShield | A Minor | 3 | 8A | 80 BPM | ||
| Safe and Sound | Dan Romer | D Minor | 1 | 7A | 78 BPM | ||
| The House, in Dust | Cellar of Rats | A Minor | 1 | 8A | 76 BPM | ||
| Forest | Akira Yamaoka | C Minor | 1 | 5A | 74 BPM | ||
| Invisible Ghosts | Inon Zur, Fallout | A♭ Major | 1 | 4B | 100 BPM | ||
| The City of Ruin | Masami Ueda | D♭ Major | 3 | 3B | 110 BPM | ||
| Grasslands | Justin E. Bell | G Major | 1 | 9B | 111 BPM | ||
| Until We Meet Again | Masatoshi Yanagi | F Major | 7 | 7B | 189 BPM | ||
| Canonical Aside | Jason Graves | D♭ Major | 1 | 3B | 170 BPM | ||
| Predator | Nick Arundel | D♭ Major | 6 | 3B | 110 BPM | ||
| Returning | Gustavo Santaolalla | A♭ Major | 0 | 4B | 122 BPM | ||
| Hope, Forever | Justin E. Bell | D Minor | 3 | 7A | 87 BPM | ||
| Rubedo (from Minecraft) | Lena Raine, Sombre Velleity | A Major | 2 | 11B | 84 BPM | ||
| Raindrops on a Car Window | Daniel Gadd | E♭ Major | 1 | 5B | 84 BPM |