Julia Farrar's ' "Were Gonna Be Alright" was released on its scheduled release date, February 8, 2011. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Take a Note (Vocals)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Australia. Based on our statistics, Were Gonna Be Alright's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Were Gonna Be Alright by Julia Farrar having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blessèd | Nerina Pallot | E Major | 5 | 12B | 156 BPM | ||
| River Flow | Annie Drury | F Major | 7 | 7B | 97 BPM | ||
| Borderline | Florrie | F♯ Major | 3 | 2B | 116 BPM | ||
| The One Exceptions | Gresby Race Nash, Louise Dowd | A♭ Major | 5 | 4B | 125 BPM | ||
| Charmed Life | Joy Williams | B Major | 6 | 1B | 124 BPM | ||
| All Along the Watchtower | Afterhere, Berenice Scott, Glenn Gregory | F♯ Minor | 6 | 11A | 151 BPM | ||
| Tell Me How | Julia Farrar | E Minor | 7 | 9A | 121 BPM | ||
| Fall Down Or Fly | Lindi Ortega | F♯ Major | 5 | 2B | 118 BPM | ||
| Welcome Back to You | Aron Wright | C Major | 2 | 8B | 86 BPM | ||
| Write a Song for Me (feat. Glenna Bree) | Wizardz Of Oz, Glenna Bree | F Major | 5 | 7B | 103 BPM | ||
| Safe | Regina Price | G Major | 4 | 9B | 84 BPM | ||
| Lost and Broken | Rosie Doonan | B Minor | 4 | 10A | 144 BPM | ||
| Give Me Hope | Three Laws | E♭ Major | 4 | 5B | 76 BPM | ||
| Pick Up the Pieces | Nat Jay | D♭ Major | 8 | 3B | 109 BPM | ||
| On Your Own Again | Justin Byrd | C Major | 3 | 8B | 128 BPM | ||
| Drifting | Frances | C Major | 5 | 8B | 124 BPM | ||
| What Was I Made For - Country Version | Clara Belle | D♭ Minor | 4 | 12A | 120 BPM | ||
| Levi Blues | Dala | D Major | 5 | 10B | 91 BPM | ||
| The Promises You Made | Julia Farrar | D♭ Major | 3 | 3B | 140 BPM | ||
| All at Sea | Richard Walters | F Major | 3 | 7B | 81 BPM | ||
| Going Under | The Eastern Plain, Christine Smit | C Major | 6 | 8B | 82 BPM | ||
| Worlds Apart | Joshua Radin | G Major | 2 | 9B | 70 BPM | ||
| When I Look Back | In the City | A Major | 4 | 11B | 151 BPM | ||
| Fall to Pieces | Hilary Grist | F♯ Major | 4 | 2B | 72 BPM | ||
| Out of the Dark | Dia Frampton | E Minor | 7 | 9A | 132 BPM |