Ravindra Jain's ' "Atal Sindhu Ke Jal Mein Beh Gaye" was released on its scheduled release date, January 1, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 35 in the song's album "Sunder Kaand". In this album, this song's track order is #27. Furthermore, we believe that the track originated from India. Atal Sindhu Ke Jal Mein Beh Gaye is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Atal Sindhu Ke Jal Mein Beh Gaye by Ravindra Jain having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Maya Ka - Ravindra Jain And Chorus | Ravindra Jain | G Major | 6 | 9B | 85 BPM | ||
| Choti Choti Gayia Chote Chote Gwal | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 7 | 3B | 112 BPM | ||
| Mere Sarkar Aaye Hain | Raj Pareek | C Major | 9 | 8B | 96 BPM | ||
| Munivar Sayan Kinhi Tab - REMASTERED | Arun Dangle, Ravindra Jain | E Major | 7 | 12B | 148 BPM | ||
| Yashomati Maiya Se Bole Nandlala - Duet | Pamela Jain | A Major | 7 | 11B | 143 BPM | ||
| Man Tera Mandir Ankhen Diya Bati | Mahendra Kapoor, Dilraj Kaur | G Major | 6 | 9B | 99 BPM | ||
| Jap Le Hari ka Naam | NARAYANSWAMI | A♭ Major | 7 | 4B | 142 BPM | ||
| Aao Phagun Mein | Jaspal Singh, Hemlata, Ravindra Jain | F Major | 4 | 7B | 90 BPM | ||
| Tum Ram Roop Mein Aana - Hindi | Mausmi Datt | E Major | 9 | 12B | 97 BPM | ||
| O Sheronwali | Mohammed Rafi, Asha Bhosle, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 122 BPM | ||
| Chalo Bulawa Aaya Hai | Narendra Chanchal, Asha Bhosle, Mahendra Kapoor, Laxmikant–Pyarelal | D♭ Minor | 7 | 12A | 89 BPM | ||
| Shiv Ka Naam Lo (From "Chal Kaanwariya Shiv Ke Dham") | Sonu Nigam | E♭ Minor | 9 | 2A | 77 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Shyam Chudi Bechne Aaya (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 2 | 3A | 84 BPM | ||
| Ghar Mein Padharo Gajananji | Sapna Awasthi | B Major | 3 | 1B | 176 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| O Kanha Ab Toh Murli | Chetna | C Major | 6 | 8B | 76 BPM | ||
| Are Shiv Ki Yaad Rahengi Tab | Brahma Kumari | F♯ Major | 4 | 2B | 124 BPM | ||
| Sab saup do pyare prabhu ko | Brahma Kumaris | C Minor | 3 | 5A | 179 BPM | ||
| Vrukshawalli Amha Soyare Vanachare (From "Tukaram") | Ashok Patki, Anirudha Joshi | D♭ Major | 7 | 3B | 91 BPM | ||
| Awadh Me Ram Aaye Hai | Rudraa | B♭ Major | 7 | 6B | 107 BPM | ||
| Duniya Se Main Haara | Chetna | C Major | 10 | 8B | 115 BPM | ||
| Bhala Kisi Ka Kar Na Sako Toh | Manoj Mishra | E Major | 9 | 12B | 87 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM | ||
| Yashomati Maiya Se Bole Nandlala | Madhushree | D Major | 6 | 10B | 120 BPM |