"It Worked for Awhile / Cam and Joe" by Paul Haslinger had its release date on April 5, 2019. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Haslinger's "Halt and Catch Fire Vol 2 (Original Television Series Soundtrack)" album is number 13 out of 14. Based on our statistics, It Worked for Awhile / Cam and Joe's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of It Worked for Awhile / Cam and Joe by Paul Haslinger to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| Rainbow Six Siege: Invitational Main Theme | Danny Cocke, Paul Haslinger | D♭ Major | 4 | 3B | 93 BPM | ||
| 1.0_4-m0rphine.aac | Mac Quayle | F Minor | 1 | 4A | 127 BPM | ||
| Home | Michael McCann | G Major | 1 | 9B | 82 BPM | ||
| Oversight and Accountability | Blair Mowat | G Major | 1 | 9B | 73 BPM | ||
| Falling | Ben Salisbury, Geoff Barrow | A♭ Major | 0 | 4B | 93 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| SD Cards | Adam Peters | F Major | 2 | 7B | 75 BPM | ||
| Tus Mejores Cartas | toribio | A♭ Major | 4 | 4B | 180 BPM | ||
| Aeon Travel | Pawel Blaszczak | F Minor | 3 | 4A | 80 BPM | ||
| Shield | Ben Frost | D Major | 2 | 10B | 112 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Match Point | Danny Cocke, Paul Haslinger | D♭ Major | 7 | 3B | 174 BPM | ||
| Mates | Lovett | G Minor | 0 | 6A | 130 BPM | ||
| Chest Burster | Jed Kurzel | E♭ Major | 1 | 5B | 71 BPM | ||
| Tethered | Daniel L.K. Caldwell | F Minor | 0 | 4A | 77 BPM | ||
| 1.0_5-pierreloti.au | Mac Quayle | G Major | 2 | 9B | 100 BPM | ||
| Frameshift & Starports: Frameshift Suite - First Movement - Andromeda | Erasmus Talbot | D Minor | 2 | 7A | 92 BPM | ||
| Are We Really So Different? | David Martijn | B♭ Minor | 1 | 3A | 200 BPM | ||
| Losing Rachel | Jeff Beal | A♭ Major | 2 | 4B | 110 BPM | ||
| Planet X | Anže Rozman, Andrew Christie | A♭ Major | 2 | 4B | 164 BPM | ||
| Out | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 99 BPM | ||
| Detroit City Ambient (Part 1) | Michael McCann | C Major | 1 | 8B | 90 BPM | ||
| Chuck Warpath | Brendan Angelides, Eskmo | B Minor | 2 | 10A | 135 BPM | ||
| Thank You | Sara Baghirova, Sara Bag | B♭ Major | 1 | 6B | 80 BPM |