John Rutter, William Shakespeare, Swedish Chamber Choir, Simon Phipps's ' "It Was a Lover and His Lass" was released on its scheduled release date, January 1, 2014. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. It Was a Lover and His Lass's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Shakespeare Songs and Sonnets". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, It Was a Lover and His Lass is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With It Was a Lover and His Lass by John Rutter, William Shakespeare, Swedish Chamber Choir, Simon Phipps having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Psalm 139 | O God You search me | Christelijk koor Jigdaljahu, Mark Brandwijk, Marco den Toom, Bert Noteboom, Lennart Morée, Arjan Wouters | D♭ Major | 2 | 3B | 169 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| Whitacre: Three Songs Of Faith: I Thank You God For Most This Amazing Day | Eric Whitacre, Eric Whitacre Singers | C Major | 1 | 8B | 126 BPM | ||
| Gloriana, Op. 53: Choral Dance No. 4, Country Girls | Benjamin Britten, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| 3 Gymnopédies: No. 1, Lent et douloureux (Arr. for Clarinet & Orchestra by John Rutter) | Erik Satie, John Rutter, Manchester Camerata, Daniel Bayley | E Minor | 1 | 9A | 80 BPM | ||
| Sancta Maria | Sjaella | F♯ Minor | 1 | 11A | 109 BPM | ||
| The Lord Bless You and Keep You | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Sospiri Op. 70 | Edward Elgar, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | F Major | 0 | 7B | 78 BPM | ||
| Burial Service: No. 1, I Am the Resurrection | William Croft, The Choir of Sidney Sussex College, Cambridge, David Skinner | F Major | 1 | 7B | 72 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| Lay a Garland on Her Hearse | Robert Lucas Pearsall, The Cambridge Singers, John Rutter | E♭ Major | 1 | 5B | 76 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| As Torrents in Summer | Edward Elgar, Rodolfus Choir, Ralph Allwood | E♭ Major | 0 | 5B | 138 BPM |