- BPM
- 87
- Key
- F Minor
- Camelot
- 4A
A Shropshire Lad (Rhapsody for Orchestra) by George Butterworth, Neville Dilkes, English Sinfonia Song Details
"A Shropshire Lad (Rhapsody for Orchestra)" by George Butterworth, Neville Dilkes, English Sinfonia had its release date on February 15, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 2 in Butterworth: The Banks of Green Willow by George Butterworth, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. A Shropshire Lad (Rhapsody for Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of A Shropshire Lad (Rhapsody for Orchestra) by George Butterworth, Neville Dilkes, English Sinfonia is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -17.905 dB
- Acousticness
- 92%
- Danceability
- 18%
- Energy
- 13%
- Instrumentalness
- 81%
- Liveness
- 10%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | |
 | Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | |
 | Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | |
 | Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | |
 | Sailing By | Ronald Binge, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 0 | 10B | 89 BPM | |
 | 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | |
 | V. The lads in their hundreds | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman, James Rutherford | F Major | 1 | 7B | 78 BPM | |
 | A Shropshire Lad: Loveliest of trees | George Butterworth, Benjamin Luxon, David Willison | A Major | 0 | 11B | 137 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | |
 | Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | |
 | Was mir behagt, ist nur die muntre Jagd!, BWV 208: No. 9, Schafe können sicher weiden (Transcr. L. Stokowski) | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 95 BPM | |
 | The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | |
 | Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Misterioso - Largamente assai - Un pochettino stretto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 1 | 4B | 77 BPM | |
 | When Music Sounds: 5. I'll Sing | Rebecca Dale, Cantus Ensemble, The Studio Orchestra, Jeff Atmajian | F Major | 0 | 7B | 81 BPM | |
 | Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | |
 | Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | |
 | Rhapsody Under A High Sky | Archibald James Potter, RTE Sinfonietta, Proinnsias O'Duinn | C Major | 1 | 8B | 106 BPM | |
 | Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | |
 | Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | |
 | The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | |
 | A Shropshire Lad: The Lads in Their Hundreds | George Butterworth, Bryn Terfel, Malcolm Martineau | F♯ Major | 0 | 2B | 133 BPM | |
 | Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 1 | 12B | 71 BPM | |
 | Abendlied, Op. 107 No. 6 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | D♭ Major | 0 | 3B | 78 BPM | |
 | English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | |
 | Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM |
- ISRC
- GBAYD8800233
- Label
- L-M Records/RCA Records