"Pelléas et Mélisande: II. Des pas dans le château" by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on February 11, 2022. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Pelléas et Mélisande: II. Des pas dans le château's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pelléas et Mélisande (Suite for String Orchestra)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Pelléas et Mélisande: II. Des pas dans le château is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande: II. Des pas dans le château by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Orchestra da Camera Fiorentina, Giuseppe Lanzetta | C Minor | 3 | 5A | 92 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
| Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Dark Skies | Patrick Thomas Hawes | C Minor | 3 | 5A | 114 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Serenade After Plato's "Symposium": I. Phaedrus – Pausanias. Lento – Allegro marcato | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | F Minor | 1 | 4A | 165 BPM | ||
| Symphony in G Minor, Bryan g1: I. Allegro moderato | Johann Baptist Vanhal, Munich Radio Orchestra, Ivan Repušić | B♭ Major | 1 | 6B | 82 BPM | ||
| Ribbons of Thunderlight | Bheto VN | C Minor | 3 | 5A | 140 BPM | ||
| Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A♭ Major | 0 | 4B | 132 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 3 | 9B | 78 BPM | ||
| Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
| Ever Yours: III. You Reap What You Sow | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | F Minor | 1 | 4A | 165 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
| Cefeidas : 1. El beneficio de la duda | Juan Pablo Fernández Ramos | F Minor | 1 | 4A | 165 BPM | ||
| Brahms / Orch. Hidas: 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, János Rolla, Franz Liszt Chamber Orchestra | A Minor | 1 | 8A | 134 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
| Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied. Allegretto | Fanny Mendelssohn, Trio Chausson | D Major | 1 | 10B | 79 BPM | ||
| Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String | Johann Sebastian Bach, Metamorphose String Orchestra, Pavel Lyubomudrov | F Minor | 2 | 4A | 159 BPM | ||
| Cello Sonata, Op. 46: II. Andante Sostenuto (Arr. for Violin and String Ensemble by Ellie Consta) | Louise Farrenc, Esther Abrami, Her Ensemble | D Major | 5 | 10B | 140 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM |