角野 裕, 角野怜子's ' "マ・メール・ロワ 美女と野獣の対話" was released on its scheduled release date, March 1, 1990. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ピアノ連弾シリーズ フランス3大連弾曲 ドリー / 小組曲 / マ・メール・ロワ, so we believe that "マ・メール・ロワ 美女と野獣の対話" is a single. Based on our statistics, マ・メール・ロワ 美女と野獣の対話's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of マ・メール・ロワ 美女と野獣の対話 by 角野 裕, 角野怜子 is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 子供の情景, 作品15: 第7曲 トロイメライ | Robert Schumann, 中野翔太 | F♯ Major | 2 | 2B | 106 BPM | ||
| October Spring | Roberto Franca | C Major | 1 | 8B | 116 BPM | ||
| daily routine | Piano perfume | A Major | 1 | 11B | 144 BPM | ||
| Berceuse in D-Flat Major | Mily Balakirev, Angelo Martino | D♭ Major | 0 | 3B | 70 BPM | ||
| Romance, Op. 26 | Piotr Rytel, Anna Miernik, Barbara Borowicz | B♭ Major | 3 | 6B | 81 BPM | ||
| C大調第16號鋼琴奏鳴曲 第二樂章 K. 545 | 古典鋼琴詩 | B♭ Major | 0 | 6B | 146 BPM | ||
| Romanza for Solo Piano in G | Anna Lee | C Minor | 2 | 5A | 71 BPM | ||
| くるみわり人形 静まりかえった大広間 - 連弾 | 角野 裕, 角野怜子 | C Major | 0 | 8B | 51 BPM | ||
| Got help the outcast (Ronds de Jambes a Terre) - Cover | Miwa Hoshi | F Major | 3 | 7B | 104 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| Lyric Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Alistair McGowan | E♭ Major | 0 | 5B | 170 BPM | ||
| Waltz No.11 in G-Flat Major, Op.70 No.1 | Songs of Birdland, Classical of Birdland, Mu Dimon | F♯ Major | 2 | 2B | 124 BPM | ||
| Impresiones Intimas: No. 8, Secreto | Federico Mompou, Alistair McGowan | F♯ Major | 0 | 2B | 70 BPM | ||
| Felix Mendelssohn - Songs Without Words, Op. 30, No. 6 "Venetian Gondola Song" | Lori Henriques | F♯ Minor | 1 | 11A | 69 BPM | ||
| Prelude Fantaisie No. 3 | Michael Hauber | E Minor | 1 | 9A | 101 BPM | ||
| 12 Songs, Op. 21: No. 7, How Fair Is This Place (Transcr. I. Mikhnovsky for Piano) | Sergei Rachmaninoff, Julia Severus | D Major | 2 | 10B | 121 BPM | ||
| カタルーニャ奇想曲 Op.165-5 | Isaac Albéniz, Rintaro Akamatsu | E♭ Major | 0 | 5B | 120 BPM | ||
| くるみわり人形 おかしの国 - 連弾 | 角野 裕, 角野怜子 | E Major | 1 | 12B | 96 BPM | ||
| Gnossiennes: No. 2, Avec étonnement | Erik Satie, Guillaume Coppola | F Major | 1 | 7B | 110 BPM | ||
| Gnossienne No.3 | Mu Dimon, Songs of Birdland | A♭ Major | 0 | 4B | 65 BPM | ||
| ドヴォルザーク: ユモレスク | Kentaro Haneda | F♯ Major | 1 | 2B | 93 BPM | ||
| Evening | Frank Hutchens, Roger Woodward | E♭ Major | 0 | 5B | 88 BPM | ||
| Reminiscent - Grand Piano | Antonija Pacek | F Major | 2 | 7B | 84 BPM | ||
| ショパンへの3つのオマージュ スピアナート | Shinya Kiyozuka | F♯ Major | 1 | 2B | 62 BPM | ||
| Serenity | Hisako Hirata | C Major | 0 | 8B | 72 BPM |