Funiculì, Funiculà by Luigi Denza, David Tobin, Jeff Meegan, Isobel Griffiths Ltd, Julian Gallant, Luis Chapa Song Details

Luigi Denza, David Tobin, Jeff Meegan, Isobel Griffiths Ltd, Julian Gallant, Luis Chapa's ' "Funiculì, Funiculà" was released on its scheduled release date, March 24, 2023. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Funiculì, Funiculà's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 7 in Classical Collection - Operatic Arias by David Tobin, Jeff Meegan, Julian Gallant. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Funiculì, Funiculà's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Funiculì, Funiculà by Luigi Denza, David Tobin, Jeff Meegan, Isobel Griffiths Ltd, Julian Gallant, Luis Chapa is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -12.586 dB
Acousticness: 97%
Danceability: 57%
Energy: 40%
Instrumentalness: 72%
Liveness: 16%
Loudness: 79%
Speechiness: 6%
Valence: 53%

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