"Stranger In Paradise" by David Rendall had its release date on May 27, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 12 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Stranger In Paradise is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stranger In Paradise by David Rendall to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| Franck: Les Béatitudes, FWV 53: VIII. Bienheureux les pacifiques | César Franck, Armin Jordan, Choeurs de Radio France, Daniel Ottevaere, David Rendall, François Loup, Louise Lebrun, Marcel Vanaud, Nathalie Stutzmann, Nouvel Orchestre Philharmonique de Radio France | A Minor | 1 | 8A | 68 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| Mary Stuart, A. 43, In. 52, Act I: Did you not ask to see me, earlier today? (Dudley, Talbot) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, David Rendall, John Tomlinson | D♭ Major | 1 | 3B | 81 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 5, Be merciful, be gracious' spare him, Lord (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Barber: 3 Songs, Op. 10: No. 2, Sleep Now | Samuel Barber, Jennifer Larmore, Antoine Palloc | F♯ Major | 1 | 2B | 82 BPM | ||
| Warlock: Captain Stratton's Fancy | Peter Warlock, Nina Walker, Robert Lloyd | A Major | 0 | 11B | 115 BPM | ||
| Midsummer's Eve | Original Studio Cast of Song of Norway, David Rendall, Diana Montague, Yit Kin Seow | E Minor | 2 | 9A | 137 BPM | ||
| Trial by Jury: Is This the Court of the Exchequer? | Gilbert & Sullivan Society of Houston | D Minor | 2 | 7A | 120 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: I can no more | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | D♭ Minor | 1 | 12A | 169 BPM | ||
| La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | ||
| The Apostles, Op. 49, Part I. The Calling of the Apostles: Blessed are the poor in Spirit (Jesus) | Edward Elgar, Richard Hickox, London Symphony Orchestra, Stephen Roberts, Robert Lloyd, Alison Hargan, David Rendall, Bryn Terfel, London Symphony Chorus | F Major | 2 | 7B | 79 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Simon Boccanegra, Prologue: Suona ogni labbro il mio nome | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 4 | 10B | 108 BPM | ||
| H.M.S. Pinafore / Act 2: Fair moon to thee I sing | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 1 | 11B | 102 BPM | ||
| Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | F Major | 2 | 7B | 124 BPM | ||
| Idomeneo, K. 366, Act II Scene 5: Placido è il mar, andiamo (Choir, Elettra) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Bavarian Radio Chorus, Elsa Dreisig | G Major | 5 | 9B | 86 BPM | ||
| Puccini: Tosca, Act 2: "Dov'è dunque Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca) | Giacomo Puccini, Maria Callas, Angelo Mercuriali, Giuseppe Di Stefano, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| And This Is My Beloved | David Rendall | G Major | 4 | 9B | 77 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |