"SKAT-12" by Bubson had its release date on December 12, 2020. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. SKAT-12's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Namalsk (Original Game Ambient Soundtrack)". In this album, this song's track order is #16. SKAT-12 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SKAT-12 by Bubson having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dusk | Bubson | F♯ Minor | 3 | 11A | 153 BPM | ||
| That Which Lies Beyond | Sinke Dûs | B Minor | 2 | 10A | 90 BPM | ||
| The Shimmering After-Blasts of Psionic Traces | Ruptured World | E Minor | 3 | 9A | 63 BPM | ||
| Noon | Bubson | F Major | 0 | 7B | 69 BPM | ||
| Watching Eden Burn | Randal Collier-Ford | A Major | 3 | 11B | 75 BPM | ||
| Ava | Keosz | A♭ Major | 3 | 4B | 69 BPM | ||
| Time Dilation | Hadamard Gate | G Minor | 1 | 6A | 84 BPM | ||
| Ring Road A141 | Martin Stig Andersen | A♭ Major | 1 | 4B | 129 BPM | ||
| Menu | Martin Stig Andersen | D Minor | 0 | 7A | 140 BPM | ||
| That Which Was Lost | Sinke Dûs | E♭ Minor | 3 | 2A | 76 BPM | ||
| Acta, Non Verba. Act I | Acepe. | B Major | 0 | 1B | 134 BPM | ||
| Because I Am Flawed I Forgive You | Northumbria | C Major | 2 | 8B | 74 BPM | ||
| Hold My Hand | Lost Stargates | D Major | 1 | 10B | 136 BPM | ||
| Dune Ambience | Tommy Lucas | B♭ Major | 2 | 6B | 53 BPM | ||
| The Dead City | Ager Sonus | C Major | 2 | 8B | 79 BPM | ||
| Theosis | Metatron Omega | B Major | 3 | 1B | 75 BPM | ||
| Hectronic Lights | Planet Supreme | B♭ Minor | 2 | 3A | 81 BPM | ||
| Beyond These Shores | Dead Melodies | C Major | 0 | 8B | 71 BPM | ||
| Imprecise Waltz | Cities Last Broadcast, Fractalyst | B♭ Minor | 0 | 3A | 63 BPM | ||
| S/T | Svartsinn, Northaunt | A♭ Major | 2 | 4B | 72 BPM | ||
| Distance Experience | Alphaxone | E♭ Major | 3 | 5B | 94 BPM | ||
| Tanis Base | Paul Ruskay | D Major | 2 | 10B | 128 BPM | ||
| Intro | Artur Kordas | F♯ Major | 2 | 2B | 106 BPM | ||
| It May Come | Wordclock | D Major | 3 | 10B | 84 BPM | ||
| Abyssal Sands | Stellar Conflux, Lost Stargates | D♭ Major | 3 | 3B | 142 BPM |