Satyajit Ray's 'Rukus Room' had a release date set for December 1, 1978. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Satyajit Ray's "Joy Baba Felunath (Original Motion Picture Soundtrack)" album is number 1 out of 4. Rukus Room is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Rukus Room by Satyajit Ray to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ami Dur Hote Tomarei Dekhechhi | Hemant Kumar | F Minor | 3 | 4A | 114 BPM | ||
| Oshanto Hridoy | Souls | G Major | 9 | 9B | 90 BPM | ||
| Lost Innocence | Bickram Ghosh | F♯ Major | 4 | 2B | 135 BPM | ||
| Maharaja Tomarey Shelam | Anup Ghoshal, Rabi Ghosh | D♭ Major | 2 | 3B | 137 BPM | ||
| Akash Bhora | Debojyoti Mishra, Paromita Bhattacharya, Sweta Chakraborty | B♭ Major | 4 | 6B | 83 BPM | ||
| Anondoloke Mongolaloke | Indranil Sen, Radhika Chakraborty | E♭ Major | 1 | 5B | 153 BPM | ||
| Mayaboti Meghe Elo Tandra | Sandhya Mukherjee | D Major | 5 | 10B | 160 BPM | ||
| Rongo | Logarhythm, Tha Armani, Satyajit Ray | G Major | 9 | 9B | 90 BPM | ||
| Jaat Galo | Anusheh Anadil | G Major | 4 | 9B | 140 BPM | ||
| Aamar Shyama Mayer Kole Chore | Padma Palash | B Major | 4 | 1B | 132 BPM | ||
| Ashani Sanket - Instrumental | Satyajit Ray | E Major | 0 | 12B | 131 BPM | ||
| Ei Raat Tomar Amar | Hemant Kumar | D♭ Minor | 1 | 12A | 88 BPM | ||
| Agantuk Theme | Satyajit Ray | D Major | 1 | 10B | 70 BPM | ||
| Ek Lozenge-e | Chandrabindoo, Upal | A Major | 6 | 11B | 90 BPM | ||
| Khachar Bhitor Achin Pakhi | Satyaki Banerjee | A♭ Minor | 2 | 1A | 140 BPM | ||
| Sei Phuler Daal | Mohiner Ghoraguli | A Minor | 5 | 8A | 124 BPM | ||
| Montage from Nityananda Datta's film BAKSA BADAL | Satyajit Ray | F♯ Minor | 3 | 11A | 119 BPM | ||
| Ei Path, Pt. 2 | Neel Dutt, Hemant Kumar | E Minor | 4 | 9A | 117 BPM | ||
| Taakey Joto Tarai Dure | Mohiner Ghoraguli | D♭ Minor | 3 | 12A | 110 BPM | ||
| Interview | Rabi Ghosh | F♯ Minor | 6 | 11A | 81 BPM | ||
| Rain Is the Most Beautiful Girl I've Ever Seen | Kaaktaal | C Major | 4 | 8B | 128 BPM | ||
| Path Harabo Bolei Ebar | Hemant Kumar | D Major | 4 | 10B | 101 BPM | ||
| Phulchashi’r Gaan | JOler gaan | D Major | 4 | 10B | 111 BPM | ||
| Eto Sur Aar Eto Gaan | Subir Sen | B♭ Major | 3 | 6B | 89 BPM | ||
| Protita Gaan-e Hobe Tomaye Nie | Upal, Nilanjan | G Major | 5 | 9B | 111 BPM |