Ralf Weigand's 'Heavy Nightmares' had a release date set for July 25, 1993. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Heavy Nightmares's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Fallowell, Ralf Weigand's "Gloom and Doom" album is number 16 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Heavy Nightmares is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Heavy Nightmares by Ralf Weigand to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hard as Stone | Ralf Weigand, The Kraft Machine | A Major | 10 | 11B | 126 BPM | ||
| S.T.F. | SEGA SOUND TEAM, 庄司 英徳 | C Major | 10 | 8B | 143 BPM | ||
| The Morgue / Belle Island On Fire | Harold Faltermeyer | B Minor | 9 | 10A | 153 BPM | ||
| Goodtime Blues | Ralf Weigand, Metal Flash | A Major | 7 | 11B | 129 BPM | ||
| G-Force | Reynaldo FM | F Minor | 7 | 4A | 110 BPM | ||
| Legacy | Vince DiCola | E♭ Major | 3 | 5B | 90 BPM | ||
| Dr. Neo Cortex | Vicarious Visions Audio | C Major | 5 | 8B | 145 BPM | ||
| Ship Rex | George Stamatiadis | A Major | 6 | 11B | 100 BPM | ||
| Song godziny 4:00 | KRYSTIAN SZOSTAK | C Major | 9 | 8B | 180 BPM | ||
| Toxic Waste | Vicarious Visions Audio | D Major | 6 | 10B | 155 BPM | ||
| Boss: CHAOS - ver.6 | SEGA SOUND TEAM, Jun Senoue | B♭ Major | 7 | 6B | 133 BPM | ||
| Slaughter IV | Joel Eriksson | F♯ Major | 4 | 2B | 127 BPM | ||
| Bringing the World to You | Breaking News | C Major | 6 | 8B | 136 BPM | ||
| Moon Base 2 - Shuttle Launch | Vince DiCola | D Major | 6 | 10B | 103 BPM | ||
| A Long Way Down - Tomb Raider Suite Synth Mix | Nathan McCree | C Minor | 2 | 5A | 87 BPM | ||
| Brock (Commander) | 奥河英樹 | D Major | 9 | 10B | 148 BPM | ||
| Transformers | Jan Hammer | B Minor | 8 | 10A | 103 BPM | ||
| Hell Night | Daniele Zandara | D Major | 7 | 10B | 129 BPM | ||
| Theme of Samus (From "Metroid: Samus Returns") | Kenji Yamamoto, Pontus Hultgren | D♭ Major | 8 | 3B | 102 BPM | ||
| Vampire Killer :Stage1 (Game Sound Ver.) | Castlevania Sound Team | G Major | 9 | 9B | 124 BPM | ||
| Megatron Must Be Stopped - Parts 1 & 2 | Vince DiCola | A Major | 7 | 11B | 159 BPM | ||
| Maybe We Can Win This (High Only) | Absolute Lambda | C Major | 7 | 8B | 140 BPM | ||
| Nightmare | Kassil | G Major | 4 | 9B | 124 BPM | ||
| Fortnite Chapter 7 Island Theme (Concept) | Drubba | A Minor | 8 | 8A | 90 BPM | ||
| Super Fist | Alexander Brandon | D♭ Major | 10 | 3B | 141 BPM |