"Midas" by Cyborg Octopus, Archaeologist had its release date on September 27, 2024. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Bottom Feeder by Cyborg Octopus. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Midas is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Midas by Cyborg Octopus, Archaeologist is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unburied | Vale Of Pnath | D Major | 10 | 10B | 105 BPM | ||
| Spectre Of Bone | Vale Of Pnath | D Minor | 9 | 7A | 110 BPM | ||
| Lower The Populace | The HAARP Machine | G Minor | 10 | 6A | 147 BPM | ||
| Secrets Within | Car Bomb | D♭ Minor | 9 | 12A | 95 BPM | ||
| Ascend from Disruption | Circle of Contempt | C Major | 10 | 8B | 130 BPM | ||
| Sense of Lust | Obsidious | D♭ Minor | 9 | 12A | 100 BPM | ||
| 40 Stories | Alluvial | A♭ Major | 9 | 4B | 125 BPM | ||
| Breaking the Great Narcissist | Soreption | G Major | 10 | 9B | 105 BPM | ||
| Sea of Memories | Decrepit Birth | D Major | 9 | 10B | 178 BPM | ||
| Thousand-Arms Fortress | Returning We Hear the Larks | A Major | 9 | 11B | 101 BPM | ||
| Shaping a Single Grain of Sand | Textures | A Major | 10 | 11B | 110 BPM | ||
| Realism: The Stone Ego Paradox | The Dali Thundering Concept, Steph Migneron | A Major | 10 | 11B | 85 BPM | ||
| Language II: Conspire | The Contortionist | F♯ Major | 9 | 2B | 176 BPM | ||
| Sets | Car Bomb | D♭ Major | 9 | 3B | 98 BPM | ||
| The Trench | Cyborg Octopus | G Major | 10 | 9B | 120 BPM | ||
| Katabasis | Persefone | G Minor | 1 | 6A | 119 BPM | ||
| The Odysseus | Atlantis Chronicles | D♭ Major | 9 | 3B | 115 BPM | ||
| The Anti-Present | Soreption | D♭ Major | 9 | 3B | 132 BPM | ||
| Lairs of the Ascended Masters | Enfold Darkness | G Major | 10 | 9B | 119 BPM | ||
| Vortex of Self | The Odious Construct | D♭ Minor | 10 | 12A | 118 BPM | ||
| That Which Consumes All Things | Revocation | B♭ Major | 10 | 6B | 107 BPM | ||
| The Nightmare Begins | Summoning the Lich | E Minor | 10 | 9A | 125 BPM | ||
| The Forest Feasts | Summoning the Lich | A♭ Minor | 10 | 1A | 173 BPM | ||
| Some Call Me Cynical | The World Is Quiet Here | C Major | 10 | 8B | 127 BPM | ||
| Exonerate | A Trust Unclean | D♭ Minor | 10 | 12A | 200 BPM |