Noriyuki Makihara's ' "もしも" was released on its scheduled release date, September 13, 2017. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 13 out of 13 in Believer by Noriyuki Makihara. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, もしも is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of もしも by Noriyuki Makihara is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| RELAX - アコースティックver. | THE JAYWALK | A Major | 7 | 11B | 110 BPM | ||
| 奇跡のような日 | Kiyomi Suzuki, 桑野信義, Masamichi Sugi | F Major | 5 | 7B | 126 BPM | ||
| 虹色ステップ | nalitar | F♯ Major | 6 | 2B | 132 BPM | ||
| Ebony & Ivory | TAKEDA & TETSUYA | A Minor | 9 | 8A | 93 BPM | ||
| 夜の河 | Kazuto Miura | A Minor | 4 | 8A | 90 BPM | ||
| I wanna say I love you | Takuya Kimura | D♭ Major | 5 | 3B | 90 BPM | ||
| その傷から咲いた花 | わたなべまき | C Major | 2 | 8B | 109 BPM | ||
| あの頃のキミ、今のボク - 赤えんぴつ in 武道館 2024 | 赤えんぴつ | A Major | 6 | 11B | 125 BPM | ||
| いつか、その日が来る日まで... - Remastered 2022 | Eikichi Yazawa | D Major | 2 | 10B | 105 BPM | ||
| 君への愛の唄 | Noriyuki Makihara | E♭ Major | 4 | 5B | 80 BPM | ||
| 昨日の君へ Rerecording 2022 | Shunsuke Kiyokiba | F♯ Major | 6 | 2B | 132 BPM | ||
| 3月の雪 - Live | Noriyuki Makihara | B♭ Major | 8 | 6B | 110 BPM | ||
| あみだくじ | Kodai Matsuura | E♭ Major | 4 | 5B | 136 BPM | ||
| Anywhere | Noriyuki Makihara | B♭ Major | 6 | 6B | 85 BPM | ||
| Luz | Sing Like Talking | D Major | 4 | 10B | 88 BPM | ||
| 最高のふたり | どぶろっく | A Major | 3 | 11B | 81 BPM | ||
| 君が生きる意味 | THE ALFEE | C Major | 8 | 8B | 104 BPM | ||
| 雨のあと | Miki Imai | D♭ Major | 2 | 3B | 82 BPM | ||
| LAST SONG (Album Edit) | Fumido | E Major | 5 | 12B | 162 BPM | ||
| ハピハピバースディ | Mayo Okamoto | A♭ Major | 9 | 4B | 148 BPM | ||
| テレビでも見ようよ | Noriyuki Makihara | B♭ Minor | 4 | 3A | 90 BPM | ||
| 雲レ日 | 19 | A Minor | 8 | 8A | 101 BPM | ||
| 草笛の声 | Yoshiko Hanzaki | C Major | 4 | 8B | 115 BPM | ||
| あなたを想うたび涙が止まらない | Keisuke Yamauchi | E Major | 5 | 12B | 92 BPM | ||
| Get Along Together 2008 ver. | Yasuhiro Yamane | B Major | 6 | 1B | 74 BPM |