"Red Light" by Last Exit had its release date on January 1, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Last Exit's "Last Exit" album is number 4 out of 9. In terms of popularity, Red Light is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Red Light by Last Exit to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brain Damage | Last Exit | C Major | 6 | 8B | 142 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| Lo.Com.Denom. | Cop Shoot Cop | D♭ Major | 8 | 3B | 173 BPM | ||
| HOMECHAS 021 | Taram Tula | B♭ Minor | 3 | 3A | 140 BPM | ||
| He's Waltzing Like a Gun | David Jacques | F♯ Major | 2 | 2B | 85 BPM | ||
| Woollen Numbness Of Anaesthesia | Nurse With Wound | E Minor | 4 | 9A | 107 BPM | ||
| My Infatuation | The Contortions | B Minor | 9 | 10A | 88 BPM | ||
| Thème de Céline | Art Ensemble Of Chicago | G Minor | 8 | 6A | 121 BPM | ||
| Devil's Rain | Last Exit | C Minor | 6 | 5A | 87 BPM | ||
| You Know What...Will Get You You Know Where | U.S. Maple | A Major | 6 | 11B | 141 BPM | ||
| Two Mock Projections | Nurse With Wound | C Major | 9 | 8B | 137 BPM | ||
| Ghosts | Albert Ayler | B♭ Major | 7 | 6B | 87 BPM | ||
| Finalité | Mark Dresser, Fred Frith, Gerry Hemingway, Phil Minton, John Oswald, Bob Ostertag, John Zorn | D Major | 3 | 10B | 99 BPM | ||
| Sand Dancer | Last Exit | A♭ Minor | 8 | 1A | 81 BPM | ||
| Your Last Affront (Instrumental) | Black Flag | A Major | 5 | 11B | 118 BPM | ||
| Gagaku - Remastered | Naná Vasconcelos, Mara, Denis Hébert, Maurice Bouchard, Pierre Tanguay | F Major | 5 | 7B | 80 BPM | ||
| We Write Threnodies. We Write With Explosions. | Storm & Stress | A♭ Minor | 5 | 1A | 83 BPM | ||
| Forcefield | Lightning Bolt | F♯ Major | 10 | 2B | 175 BPM | ||
| 6-77AR-36K (Opus 23B) | Anthony Braxton | G Minor | 5 | 6A | 145 BPM | ||
| Persepolis #6 | Iannis Xenakis | F♯ Minor | 9 | 11A | 168 BPM | ||
| Prince Namor | Isotope 217 | E Major | 1 | 12B | 104 BPM | ||
| Darkness: Flowers Must Die 1 | Ash Ra Tempel, Manuel Göttsching | A♭ Major | 1 | 4B | 71 BPM | ||
| Paper Hats | This Heat | D♭ Minor | 8 | 12A | 130 BPM | ||
| Walk On | Henry Grimes Trio | A Major | 2 | 11B | 60 BPM | ||
| Why Is the Courtesy of the Prey Always Confused with the Courtesy of the Hunters... Pt. I | Merzbow, Keiji Haino, Balázs Pándi | A Minor | 9 | 8A | 153 BPM |